Mixers & Processors
FC−404NETxl is a hybrid, analog and Dante, audio cross−connect mixer. Input audio, either analog lines/microphones or Dante audio over IP channels, are mixed and cross−connected to the analog audio output lines and/or Dante audio over IP output streams. The mixer accepts PoE via its network connection.
- High Performance Standard Mixer — Professional mixer, mixing any audio inputs to any outputs, including auto analog to digital audio format conversion, flexible input or cross–connect level and output gain adjustment. As a standard–compliant mixer, it connects to any market–available AES67–compliant Dante product.
- Hi–quality Sound Mixer — Features a fully flexible and preset signal management. Mix, route, and distribute any inputs and outputs in any audio format via simple click and connect. Select and toggle through 10 presets in the device’s embedded web pages’, or use API commands for a simple setup change with Kramer’s recommended room controller and adjustable level control.
- Professional, Open, Studio Grade Signal Conversion Technology — Includes the latest generation 32–bit advanced Digital Analog Converter architecture to achieve excellent dynamic performance and improved tolerance to clock jitter. Supports AES67 standard for open IP communication and interop. In addition, FC–404NETxl maintains the quality of the original audio signal with selectable sampling rates.
- Flexible Audio Cross–Connection — Fully configurable inputs, the analog lines, dynamic or condenser microphones, and audio over IP Dante channels, are mixed, format–converted and distributed to any set of outputs, either analog lines or audio over IP Dante streams.
- Comprehensive Unit Control and Configuration Options — Remote IP–based, or local serial, control via user–friendly embedded web pages, Protocol 3000 API commands, touch screen, or other controllers. The device is managed by Kramer Network or Dante DDM management.
- Versatile Powering — Powered by PoE through the Dante port or by a mains power adapter.
- Cost–Effective Maintenance — LED indicators for audio signals and network connection status facilitate easy local maintenance and troubleshooting. Remote IP–driven device management and optional whole site management system via built in web pages and RS–232 connection. Local and remote firmware upgrade via RS–232 or Ethernet connection tool ensure lasting, field proven deployment.
- Easy Installation — Single cable connectivity for both Ethernet signal and power. Compact DemiTOOLS® fan–less enclosure for surface mounting or side–by–side mounting of two units in a 1U rack space with the recommended rack adapter.
Applications
- Enterprise boardrooms and advanced conference rooms
- Education lecture halls and auditoriums
- Governmental large facilities with advanced audio mixing apps
- Any application with hybrid analog and digital audio mixing and cross–connection needs
Description
The M-900MK2 Mixer Preamplifier controls and mixes up to eight independent input signals and delivers up to +20 dBm of output power. Optional plug in modules are available for use with mixer preamplifier to provide versatility for a wide range of operating applications
Specifications
| Type | 8-channel mixer preamplifier |
|---|---|
| Power Requirement | AC mains, 120 V, 60 Hz |
| Power Consumption | 18 W |
| Rated Output | +4 dBm, +20 dBm (max.) |
| Power Band Width | 30 〜 20,000 Hz, +20 dBm 0.5% THD 25 〜 20,000 Hz, +18 dBm 0.5% THD |
| Frequency Response | 20 〜 20,000 Hz, ±1 dB |
| T.H.D | 0.01% at 1 kHz, rated output |
| Inputs | Eight Input Ports : Each port accepts any input modules. One Bridging Input/Output |
| Input Sensitivity /Impedance | Input Port #1 to #8 : 100 mV/10 kΩ Bridging Input/Output : 100 mV/3.3 kΩ |
| Outputs | Main : Balanced, 150/600 Ω AUX : Unbalanced, 10 kΩ, 0 dBm |
| Output Regulation(1kHz) | Less than 1.5 dB, no load to full load |
| S/N Ratio Tone defeat switch on | Master volume min : 90 dB (Band Pass 20 〜 20,000 Hz) Master volume max : 77 dB (Band Pass 20 〜 20,000 Hz) |
| Tone Controls | Bass : ±10 dB at 100 Hz, Treble : ±10 dB at 10 kHz |
| Controls | 8 Input gain controls 1 Master gain control 1 Bass control 1 Treble control 1 Power ON/OFF switch 1 Tone defeat switch |
| Indicators | 1 Power LED, 1 Protect LED, 1 Signal LED, 1 Normal LED, 1 Peak LED |
| Protection | Self-protection, with AC fuse (inside) |
| Connectors | Input No.1 to No.8 : Card-edge connector Bridging, Aux output : RCA phone jack Output : Screw-terminal strip Mute, Remote VR : Screw-terminal strip AC power cord/plug : SJT, 3-prong type AC outlet : 3-pin grounding type |
| Temperature Range | -10℃ 〜 +60℃ (12゜F 〜 140゜F) |
| Finish | Black |
| Dimensions(W×H×D) | 420(16.54") × 99.1(3.90") × 307.5(12.11") mm |
| Weight | 5.3 kg (11.68 lb.) |
| Accessories | Volume control covers (YA-920)……4 |
| Option | Rack mounting bracket (MB-25B) |
The VA-14 is a high-performance 4-channel mixer for balanced mono audio signals on XLR connectors. The unit inputs four channels of any combination of balanced mic or line level audio signals and outputs two mixed balanced audio and one headphone signal.
- S/N Ratio — Mic in, phones out: 45.3dB; line in, phones out: 83.3dB; line in, line out: 84.3dB; mic in, line out: 64dB.
- Level (Gain) Control — Individual for each input & master and headphone output.
- Phantom Power — 48V DC on each input (individually selectable).
- Desktop Size — Compact size. 2 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.
The 102xl is a high−performance 2−channel mono audio mixer for balanced line level and mic level mono audio signals. The unit mixes two mono inputs and produces a mixed audio output signal.
- S/N Ratio — 91.5dB (line level), 62.5dB (mic level).
- Line or Mic Level — Input selectable.
- Phantom Power — 48V DC (input selectable).
- Level (Gain) Control — Input 1, input 2, and master.
- Compact MultiTOOLS® — 4 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.
The 1248 Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing with 48 channels and 12 stereo busses. With 66 channels of audio I/O (32 ins and 34 outs), the 1248 also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible. Powerful DSP delivers 32-bit floating point mixing and effects, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations. Use the 1248 as a stand-alone mixer and control everything from the 1248's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 1248 delivers superb sound quality, state-of-the-art operation, and reliable performance.
Features:
- Superb audio quality - Exceptional dynamic range (123 dB on analog output) and THD N (-110 dB).
- 66 simultaneous audio channels - 4 mic inputs, 2 guitar inputs, 8x12 balanced analog with dedicated main and monitor outs, ADAT optical and S/PDIF digital (with SRC) for 32 inputs and 34 outputs.
- Universal connectivity - Thunderbolt or high-speed USB 2.0 (compatible with USB 3.0). USB audio class-compliant firmware and Industry standard drivers work with any audio software.
- On-board 32-bit floating point DSP with large console style mixing and effects - Flexible 48-input digital mixer with 12 stereo busses and DSP effects, including reverb with sends, plus modeled analog EQ and compression, gate, and reverb.
- System expansion and audio networking - Add a 2nd MOTU interface with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network.
- Matrix routing and splitting - Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations.
- Web app control - Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network.
- Stand-alone mixing with wireless control - Connect an Apple Airport or other Wi-Fi router directly to the 1248 with a standard Ethernet cable and control the 1248's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing.
Specifications:
- Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
- Analog inputs 4 x XLR mic inputs
- 2 x 1/4" hi-Z guitar inputs (front panel)
- 8 x 1/4" TRS line inputs (balanced/unbalanced)
- Analog outputs 12 x 1/4" TRS line out (balanced)
- 2 x 1/4" TRS stereo headphone
- Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates
- 1 bank (8 ch) of SMUX optical at 2x sample rates
- Stereo RCA S/PDIF up to 96 kHz (with SRC on input)
- Total I/O 32 inputs and 34 outputs (66 total) at 1x sample rates
- 24 inputs and 26 outputs (50 total) at 2x sample rates
- 14 inputs and 16 outputs (30 total) at 4x sample rates
- Computer I/O 1 x Thunderbolt (compatible with 1 and 2)
- 1 x USB 2.0 audio class compliant (3.0 compatible)
- Sync I/O 1 x word clock in
- 1 x word clock out
- Headphone 2 x 1/4" TRS stereo phone (assignable)
- Phantom power 4 x individual 48V
- Front panel 2 x 1/4" TRS headphone output
- 2 x TRS hi-Z guitar input
- 2 x digital rotary encoders main/monitor volume
- 2 x digital rotary encoders phone volume
- 2 x digital rotary encoders guitar input gain
- 4 x digital rotary encoders mic preamp gain
- 8 x switches (4) Pad and (4) 48V Phantom switch
- 324 x 24 pixel LCD for level meters / menu nav
- 1 x AC power switch
- Power International 100-240V autoswitching supply
- 50-60 Hz 0.5A max
Description
Ultra-compact audio/video mixer with direct streaming encodersUltra-compact and filled with innovative Roland AV technologies, the VR-6HD is the ultimate all-in-one solution for everyday business livestreaming events.
Offering advanced features and versatile connectivity in a portable, go-everywhere format, the VR-6HD is ideal for corporate meetings, online sales presentations, worship services, and other professional streaming and video capture applications.
Video switching, audio mixing, and LAN/USB streaming encoders are integrated into a single streamlined unit, eliminating the hassle and frustration that comes with connecting multiple devices. And one operator can easily handle all production tasks with minimal study, thanks to the smart interface, deep automation tools, one-touch macro sequencing, PTZ camera control, and more
- Powerful live production automation with sequencing, macros, and scene memories
- Built-in streaming encoders for transmitting two livestreams at rates up to 1080p/60 FPS
- Record streams directly to an SDXC card for archiving, editing, and distribution
- Six 1080p HDMI inputs with frame rate converters and scalers
- Support for cinema and broadcast frame rates
- Five-layer video effects engine
- Five total outputs: three HDMI, USB-C streaming, and a dedicated direct streaming output
- Six selectable output modes: Program, Sub-Program, Aux, Preview, Multi-View, and Still-View
- 28-channel digital audio mixer with advanced effects and processing
- 16-slot still store function supports screen capture or uploaded BMP, JPEG, and PNG images with alpha channel in the internal non-volatile memory
- Enhance your livestreams with sound effects, still images, and video sources stored on an SDXC card
- Audio Player function with six trigger pads and onboard storage for 12 audio files
- Control six PTZ cameras with support for multiple brands and mixed protocols
- 4.3-inch touch screen with graphical menu
- Extensive device control with Bluetooth®, USB, RS-232, and LAN
- Remote control software available for iPad, macOS, and Windows*
- Wireless and wired camera tally support
High-Quality Presentations Made Easy
The powerful video capabilities in the VR-6HD make it simple to bring professional production values to business streaming productions. Connect multiple cameras and computers via HDMI for different views, and incorporate robotic PTZ cameras to change angles at the touch of a button. Quickly assign and switch among sources on the fly, including live HDMI inputs, presentation decks, still images, and video clips. You can also create custom feeds for live and online viewers by assigning composition layers to multiple busses.
Multiple HDMI Inputs
The VR-6HD supports HDMI—the most common video connector in the world—and you can seamlessly combine six HDMI sources in Full HD with a range of broadcast and cinematic frame rates and color spaces. Built-in scalers with EDID and HDCP support provide easy integration with sources like computers, tablets, smartphones, gaming consoles, and legacy 4:3 devices.
Integrated Playback of Stills and Video Clips
Enhance events with onboard support for graphics and video playback. Call up still images during transitions between presenters, display graphics, and use PNGs to create dynamic lower thirds. The integrated video player lets you trigger video clips directly from the SDXC card, with no need to connect an external playback device.
Layers and Keyers
Video effects and graphics are must-haves to bring polish and excitement to productions. The VR-6HD’s effects engine features five composition layers that can be assigned to the Program, Sub-Program, and Aux outs, so you’ll always keep audiences engaged. With up to two picture-in-picture windows and one downstream key layer with transparent PNG and external key support, you can manage any creative need. For example:
- Layers 1-2—Start with mixable live background video layers.
- Layers 3-4—Place two picture-in-picture layers or chroma/luminance key effects.
- Layer 5—Add a downstream keyer with support for fill and key inputs.
Assignable Video Outputs
The VR-6HD puts a high-end video matrix at your fingers with three HDMI outputs, a USB-C streaming output, and an ethernet streaming output. Feed program displays, auxiliary monitors, multi-view producer displays, and the online audiences at once, complete with a clean output left over for recording the presentation to an SDXC card.
Professional-Class Digital Audio Mixing
The VR-6HD delivers world-class audio quality with 28 simultaneous channels and Roland’s acclaimed sound mixing features. Comprehensive EQ and dynamics processing is provided on every channel, complete with convenient preset libraries for achieving pro results instantly. Powerful problem-solving tools are on hand, including audio sync alignment, de-essing, noise suppression, and more. It’s also possible to play back stored audio during streams with quick touches on the panel.
Multi-Channel Audio Inputs and Bluetooth
The VR-6HD offers professional analog audio connectivity with six balanced XLR/TRS combination jacks, high-quality mic preamps, and phantom power. Stereo RCA inputs are available for audio players, electronic instruments, and other line-level devices, and you can mix the embedded digital audio from sources connected to the HDMI and USB inputs. And with onboard Bluetooth, it’s easy to stream wireless audio from any mobile device.
Powerful Mixing Tools
Set up direct control for your most important sound feeds with seven assignable faders. And when you have multiple presenters to deal with, engage Auto Mixing to lighten your load and ensure that the mix between microphones remains balanced. You can set specific inputs to take priority when someone starts to speak, and other audio levels are automatically reduced as needed.
A Mix for Each Audience
Two auxiliary audio busses let you set up unique mixes for a variety of applications. For example, you can feed a monitor system for presenters while livestreaming a specialized mix that’s independent of the in-person program. Versatile routing allows you to freely assign the mix and aux busses to the two stereo XLR outputs, RCA stereo output, USB and stream/record outs, or HDMI outputs.
Shape Your Sound
The VR-6HD combines the full power of the latest digital audio consoles with expansive Roland effects. Four-band EQs and dynamics processing are provided for every input and output, and high-quality reverb is available for music applications and special effects. You also get specialized tools to quickly handle audio issues, like automatic anti-feedback for stage mics and adaptive noise reduction to suppress background noise and hum.
Audio On Demand
With the VR-6HD’s unique Audio Player section and six assignable pads, it’s simple to enhance events with custom sounds. With a quick press, you can trigger sound effects, event announcements, countdowns for e-sports, or theme songs for presenters—the sky’s the limit.
Ethernet/USB Streaming and Onboard Recording
The VR-6HD’s advanced technology makes livestreaming to the most popular platforms smooth and worry-free. With direct streaming over ethernet, computer streaming over USB, and Adaptive Bitrate support, you can deliver high-quality presentations to any audience. And with simultaneous SDXC recording, it’s easy to capture presentations for archiving and distribution.
Secure and Reliable Streaming Over LAN
The VR-6HD’s powerful LAN streaming capabilities allow you to directly connect with Twitch, Facebook, and other platforms without the need for a computer. The Adaptive Bitrate function monitors the quality of the network connection and automatically adjusts the streaming rate to reduce interruptions due to bandwidth issues. An adjustable Safety Delay is also available, allowing you to confidently stream unscripted events and prevent offensive content from being broadcast.
Dual LAN Streaming Destinations
Reach a wider audience by broadcasting to two different livestream channels at once. You can also use a mobile phone with a 4G or 5G data plan as the primary streaming connection or a redundant backup.
USB-C Streaming Up to 60 FPS
Stream to any audience in Full HD to a computer via USB. The USB-C connection offers the same plug-and-play technology as webcams,* so you can begin streaming immediately with Zoom, Microsoft Teams, or any platform that can use a webcam as its source.
*USB video class (UVC) and USB audio class (UAC) compliant. YUY2 (uncompressed) and Motion JPEG (compressed) formats supported.
SDXC Card Recording
With the onboard recorder, you can easily record an event to an SDXC card and provide your client with an H.264 MP4 video file* for their editing and distribution needs. Stereo WAV audio can also be recorded independently for podcasts and other audio-driven media. It’s even possible to capture still images to internal memory from any video output bus and save them to the card for later use.
*The recording bitrate is the same as the livestream encoding bitrate.
Take Full Control of Your Productions
Thanks to its well-organized panel and intuitive workflow, even novice operators will feel comfortable using the VR-6HD. Hardware knobs, faders, and buttons offer direct control for essential functions, while the 4.3-inch touch display provides smooth access to deeper parameters and settings. Scene memory, macro, and sequencing features simplify operation even more, letting you pre-program complicated actions and fire them off with simple actions.
Fast Recall of Complex Compositions
Storing and recalling custom looks can be accomplished with just a few button presses. The 32 scene memories and advanced effects engine work together to provide seamless changes, including synchronizing the transition of all composition layers at the program output. The 100 macros go even deeper, allowing you to build and execute complex action lists that include switching, DSK on/off, audio mixing adjustments, PTZ camera movements, and much more.
Sequencing Magic
The VR-6HD’s sequencer makes scene memories and macros even more powerful, letting you perform perfectly timed cues with ease. Up to 1000 steps can be recorded in the sequencer, and each step can include both presets and macros. Set up your cues ahead of time in the sequence list and trigger them in order for a stress-free production.
Automated Switching and Mixing
When there are many presenters, you need to follow the action and switch audio and video together. The automated video switching and audio mixing features in the VR-6HD make this complicated task simple, greatly easing your workload and creating a smooth experience for the audience.
PTZ Camera Support
Robotic PTZ (pan-tilt-zoom) cameras eliminate the need for multiple operators, provide enhanced broadcast-quality coverage, and can be placed in discreet locations thanks to their small size. The VR-6HD features integrated support for select Canon, JVC, Panasonic, Sony, PTZOptics, Avonic, and VISCA-compatible PTZ LAN cameras. Mix and match different brands as you like and operate up to six PTZ cameras simultaneously.
Deep Remote-Control Options
The VR-6HD supports extended workflows with dedicated software apps and a variety of remote devices.
- The free VR-6HD Remote app for iPad connects via Bluetooth, allowing you to wirelessly operate functions at events via a portable touch interface.*
- Use the free VR-6HD Remote Control Software to operate the switcher from a Mac or Windows computer.*
- Connect footswitches or expression pedals to execute over 100 different switcher commands.
- Trigger start/stop on select third-party recorders over HDMI.
- Set up a tally light with Roland’s Smart Tally or the rear-panel hardware connector.
- Seamlessly integrate with system installations via the RS-232 and TALLY/GPIO D-Sub connectors.
Specifications
[Video]
-Video Processing
4:2:2 (Y/Pb/Pr), 8-bit
-Number of Video Channels
6 channels
-Video Input Formats
VIDEO IN 1--6
480/59.94i, 480/59.94p, 720/59.94p, 1080/59.94i, 1080/59.94p, 1080/60p, 1080/29.97p, 1080/30p *1
576/50i, 576/50p, 720/50p, 1080/50i, 1080/50p, 1080/25p *2
1080/23.98p, 1080/24p
VGA (640 x 480/60 Hz), SVGA (800 x 600/60 Hz), XGA (1024 x 768/60 Hz)
WXGA (1280 x 800/60 Hz), SXGA (1280 x 1024/60 Hz)
FWXGA (1366 x 768/60 Hz), SXGA (1400 x 1050/60 Hz)
UXGA (1600 x 1200/60 Hz), WUXGA (1920 x 1200/60 Hz)
* The refresh rate is the maximum value of each resolution.
* Conforms to CEA-861-E,VESA DMT Version 1.0 Revision 11.
* 1920 x 1200/60 Hz: Reduced blanking
* The input interlaced video signal is converted to progressive video signal by internal processing.
*1 Frame Rate = 59.94 Hz, 60 Hz
*2 Frame Rate = 50 Hz
-Video Output Formats
VIDEO OUT 1--3:
720/59.94p *1, *4
720/60p *1, *5
720/50p *1, *8
1080/59.94i *2, *4
1080/60i *2, *5
1080/50i *2, *8
1080/59.94p *3, *4
1080/60p *3, *5
1080/29.97p *3, *6
1080/30p *3, *7
1080/50p *3, *8
1080/25p *3, *9
1080/23.98p *3, *10
1080/24p *3, *11
*1 Output Format = 720p
*2 Output Format = 1080i
*3 Output Format = 1080p
*4 Frame Rate = 59.94 Hz
*5 Frame Rate = 60 Hz
*6 Frame Rate = 29.97 Hz
*7 Frame Rate = 30 Hz
*8 Frame Rate = 50 Hz
*9 Frame Rate = 25 Hz
*10 Frame Rate = 23.98 Hz
*11 Frame Rate = 24 Hz
USB STREAM:
1080/59.94p, 720/59.94p, 640 x 480/59.94p *1
1080/60p, 720/60p, 640 x 480/60p *2
1080/29.97p, 720/29.97p, 640 x 480/29.97p *3
1080/30p, 720/30p, 640 x 480/30p *4
1080/50p, 720/50p, 640 x 480/50p *5
1080/25p, 720/25p､640 x 480/25p *6
1080/23.98p, 720/23.98p､640 x 480/23.98p *7
1080/24p, 720/24p､640 x 480/24p *8
* Uncompressed format (YUY2) and Compressed format (Motion JPEG) supported.
*1 Frame Rate(USB Out) = 59.94 Hz
*2 Frame Rate(USB Out) = 60 Hz
*3 Frame Rate(USB Out) = 29.97 Hz
*4 Frame Rate(USB Out) = 30 Hz
*5 Frame Rate(USB Out) = 50 Hz
*6 Frame Rate(USB Out) = 25 Hz
*7 Frame Rate(USB Out) = 23.98 Hz
*8 Frame Rate(USB Out) = 24 Hz
-Stream and Record formats
720/59.94p *1, *3
720/60p *1, *4
720/29.97p *1, *5
720/30p *1, *6
720/50p *1, *7
720/25p *1, *8
1080/59.94p *2, *3
1080/60p *2, *4
1080/29.97p *2, *5
1080/30p *2, *6
1080/50p *2, *7
1080/25p *2, *8
1080/23.98p *2, *9
1080/24p *2, *10
*1 Output Format = 720p
*2 Output Format = 1080p
*3 Frame Rate (Stream/Record) = 59.94 Hz
*4 Frame Rate (Stream/Record) = 60 Hz
*5 Frame Rate (Stream/Record) = 29.97 Hz
*6 Frame Rate (Stream/Record) = 30 Hz
*7 Frame Rate (Stream/Record) = 50 Hz
*8 Frame Rate (Stream/Record) = 25 Hz
*9 Frame Rate (Stream/Record) = 23.98 Hz
*10 Frame Rate (Stream/Record) = 24 Hz
File Format: MP4
Codec:
H.264, target bitrate up to 20,000 kbps
AAC LC, 16 bits, 48 kHz, stereo, target bitrate up to 384 kbps
File Format: WAV
Codec:
Linear PCM, 16 bits, 48 kHz, stereo
* If either the streaming and recording format or the file played by the video player exceeds 1080/30p, the streaming and recording and video player functions cannot be used simultaneously.
* If the bitrate setting for Streaming and Recording and the bitrate of the file played on Video Player exceeds 20,000 kbps, Streaming and Recording and Video player cannot be used simultaneously.
-Video Player
File Format: MP4 (H.264, AAC), Average bit rate of 20,000 kbps or less, Maximum 1080/60p
* If either the streaming and recording format or the file played by the video player exceeds 1080/30p, the streaming and recording and video player functions cannot be used simultaneously.
* If the bitrate setting for Streaming and Recording and the bitrate of the file played on Video Player exceeds 20,000 kbps, Streaming and Recording and Video player cannot be used simultaneously.
-Still Image:
Bitmap File (.bmp) Maximum 1920 x 1080 pixels, 24-bit color, uncompressed.
PNG File (.png) Maximum 1920 x 1080 pixels, 24-bit color
JPEG File (.jpg, .jpeg) Maximum 1920 x 1080 pixels, 24-bit color
* It can be stored up to 16 files in the internal memory.
* It can be exported in the SD Card and USB flash drive.
* PNG alpha channel supported.
-Video Effects
Transition: Cut, Mix (Dissolve/Fam/Nam), WIPE (8 types), SPLIT (2 types)
Composition: PinP x 2 (Square, Circle, Diamond), Keyer x 2 (Luminance Key, Chroma Key), DSK (Luminance Key, Chroma Key, Alpha Key, External Key)
Others: Multi-View (3 types), Flip horizontal, Flip vertical, Still Image capture, Still Image playback, Output fade (Audio, Video: White or Black), Test pattern output, Stream Delay
[Audio]
-Audio Processing
Sample rate: 24 bits, 48 kHz
-Number of Audio Channels
28 channels
-Audio Formats
USB STREAM (input/output): Linear PCM, 24 bits, 48 kHz, 2 ch
Bluetooth (input): Linear PCM, 24 bits, 48 kHz, 2 ch
VIDEO IN: Linear PCM, 24 bits, 48 kHz, 2 ch
VIDEO OUT: Linear PCM, 24 bits, 48 kHz, 8 ch
-Audio Player
File format: WAV (Linear PCM, 16 bits, 48 kHz/44.1 kHz, stereo)
* It can be stored up to 16 tracks in the internal memory.
-Audio Effects
Channel Effects: High pass filter, Echo canceller, Anti-feedback, Noise gate, De-esser, Compressor, 4-Band equalizer, Voice changer, Delay, Auto mixing
Master Effects: Reverb, 4-Band equalizer, Compressor/Limiter, Loudness Auto Gain Control, Adaptive Noise Reduction, Low Frequency Cut, 15-Band GEQ, Delay
Others: Output fade, Test tone output
[Common Section]
-Recording Media
SDHC/SDXC card (sold separately)
USB flash drive (sold separately)
* SDXC card is required for video recording.
-Other Functions
Scene Memory (32 types)
Macro Control (100 types)
Sequencer Control (1000 types)
Panel lock function
EDID Emulator
Auto Switching
Auto Input Detect
Smart Tally
Remote Camera Control (Up to 6 units)
External Rec Control
[Connectors]
-Video Input Connectors
VIDEO IN 1--6: HDMI type A x 6
* HDCP Supported
* Multi-format Supported
-Video Output Connectors
VIDEO OUT 1--3: HDMI type A x 3
* HDCP Supported
USB STREAM: USB Type-C (TM)
-Audio Input Connectors
Analog:
AUDIO IN 1--6: Combo type (XLR, 1/4-inch TRS phone), phantom power DC 48 V (unloaded maximum), 14 mA (maximum load)
AUDIO IN 7/L, 8/R: RCA phono type
Digital:
USB STREAM: USB Type-C (TM)
Bluetooth
VIDEO IN 1--6: HDMI type A x 6
-Audio Output Connectors
Analog:
AUDIO OUT 1/L, 2/R: XLR type
AUDIO OUT 3/L, 4/R: RCA phono type
PHONES: Stereo miniature phone type
Digital:
USB STREAM: USB Type-C (TM)
VIDEO OUT 1--3: HDMI type A x 3
-Other Connectors
USB HOST: USB A type (for USB flash drive)
USB STREAM: USB Type-C (TM) (for remote control from PC and iPad)
Bluetooth: for remote control from iPad
CTL/EXP 1, 2:1/4-inch TRS phone type (for remote control from foot switch and expression pedal)
TALLY/GPIO: DB-25 type (Female)(Tally/GPO: 16, GPI: 8)
RS-232: DB-9 type (Male) (for Remote Control)
DIRECT STREAM: RJ45, 1000BASE-T (for Live Streaming and Remote Control)
[Audio Input/Output Characteristics]
-Input Level
AUDIO IN 1--6: -64-- 4 dBu (Maximum: 24 dBu)
AUDIO IN 7/L, 8/R: -10 dBu (Maximum: 10 dBu)
-Input Impedance
AUDIO IN 1--6: 8.4 k ohms
AUDIO IN 7/L, 8/R: 10 k ohms
-Output Level
AUDIO OUT 1/L, 2/R (XLR): 4 dBu (Maximum: 24 dBu)
AUDIO OUT 3/L, 4/R (RCA): -10 dBu (Maximum: 10 dBu)
PHONES: 92 mW 92 mW (32 ohms)
-Output Impedance
AUDIO OUT 1/L, 2/R (XLR): 600 ohms
AUDIO OUT 3/L, 4/R (RCA): 1 k ohm
PHONES: 33 ohms
[Others]
-Bluetooth
Ver 5.0
Profile Support: A2DP (Audio), GATT (MIDI over Bluetooth Low Energy)
Codec: SBC (Support to the content protection of the SCMS-T method)
-Display
Graphic Type, 4.3", Wide QVGA (480 x 272 dots), backlite LCD (Color/Touch screen)
-Power Supply
AC adaptor
-Current Draw
2.3 A
-Power Consumption
55 W
-Operation Temperature
0 to 40 degrees Celsius
32 to 104 degrees Fahrenheit
-Dimensions
370 (W) x 242 (D) x 100 (H) mm
14-5/8 (W) x 9-9/16 (D) x 3-15/16 (H) inches
-Weight (excluding AC adaptor)
3.4 kg
7 lbs 8 oz
-Accessories
Startup Guide
Leaflet "USING THE UNIT SAFELY"
AC adaptor
Power cord
-Options (sold separately)
Footswitch: BOSS FS-5U, FS-6, FS-7
Expression Pedal: EV-5, EV-30, BOSS FV-500L, FV-500H
* 0 dBu = 0.775 Vrms
MW-41BT is TOA’s second generation of audio input panels. It is equipped with Microphone, Aux (3.5mm), USB and Bluetooth inputs, and one Mono balanced output. The in-wall design and elegant appearance make it ideal for saving space and integration to various facilities. The microphone input has the highest priority over the other inputs. Any active input will be ducked by 20dB once a microphone signal is detected. The panel fits in a standard 2-Gang Electrical box (not included), and it requires a power supply (included).
These Plena Economy mixer amplifiers are professional public address units with modern state-of-the-art features. They are easy to use, taking the complexity away from the user and putting it where it belongs, inside the equipment. Providing a crisp call or clear music is as easy as turning on the radio. Offering the essentials of public address in an affordable package.
Microphone and line inputs
All Mic/line inputs can be switched between microphone level and line level sensitivity. The inputs are balanced but can be used unbalanced. Phantom power can be switched on to provide power to condenser microphones.
Input channel 1 can take priority over all other microphone and music inputs: Input 1 can be activated by contact closure on the PTT (push to talk). A 2-tone chime can be configured to precede an announcement.
Music inputs
A separate music input is available with its volume control. The user can choose a music source like a CD player or radio (like the PLN-DVDT), and set the level of music.
Personalized settings
More unique features are available such as detachable labels where the user can write the names for inputs, music sources and zones. These labels can then be mounted on the front, protected by the clear window. Another useful feature is to indicate preferred settings on the front panel by inserting colored pins at the preset levels of all knobs. You can then instruct a user to set all the controls to the silver pins to configure the system for their particular use. A second user can set all controls to the red pins for their configuration.
Power
The mixer amplifiers come in 60, 120 and 240 Watt output power. This power is directly available on 70V constant voltage connections and on a low impedance connection for a 4 ohm load. Moreover, the amplifiers have a separate 70V call-only output channel for addressing areas where only priority announcements are required. The call-only output can also be used for 3-wire remote, volume control override.
Output status
An LED VU meter monitors the master output. A headphone socket, below the VU meter, provides the mixer output. For total reliability and ease of use, a limiter is integrated into the output stage to restrict output if the user applies too much signal.
Features:
- 4 microphone / line inputs, plus music source input
- Announcement only output, 3-wire volume override
- Wide range of output power (60, 120 and 240 Watts)
- 2-tone chime
Description
The PRE-73 MKIII is a one-channel vintage style microphone, line and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.
The circuit used in the PRE-73 MKIII is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. ?The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.
“Given the very affordable price of the PRE-73, it´s performance is astonishingly good, as is its build quality …It´s difficult to recommend anything else in this price range when it comes to ‘mic amps of character”
-Sound on Sound
Features
- Vintage Style electronics. No integrated circuits in the signal path.
- Maximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- GAIN switch range 20 -80 dB. GAIN/LINE mode switch, gain is reduced by 30 dB in LINE mode.
- Selectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.
- Selectable 6 dB/octave two frequency high pass filter at around 40 (HP1) and 170 Hz (HP2).
- Tantalum capacitors in the signal path.
- Switchable impedance in MIC mode, 1200 or 300 Ohms, will change the tone of most mics. The input impedance in LINE mode is 10 kohm.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.
- Combo XLR/TRS input jack and separate output XLR and TRS jacks for flexible connections.
- Insert jack for inserting EQs and other units.Selectable 600 ohm output termination.
- The pcb is prepared for the Carnhill input transformer.
- External power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.
Unparalleled DSP mixer ideal for multi-zone paging, music distribution and room-combining applications.
The A-9060DHM2 CU Amplifier is designed to be used in conjunction with optional modules and can be configured for up to 8 inputs and 8 outputs. 9000 series modules as well as existing 900 series input modules can be used. The more appropriate modules can be selected depending on applications. Since it comes with two 60W power amplifiers, it can individually perform multi-origin broadcasts. It is equipped with signal processing and control functions necessary for sound reinforcement, permitting all parameters to be set at the mixer. Settings data can be stored inside the unit and called up using the keys on the front panel.
- Modular Digital Matrix Mixer/Amplifiers for a multitude of applications including audio-visual, zone paging, room combining and many more
- Easy to Configure and Operate
- Exceptional Audio Quality
- 24-bit, 48 kHz sampling
- Ultra-Low Distortion - 0.0008%
- Minimum Latency - 1.1ms (D-001T input to output)
- Modular Mixer - up to 8 mic/line inputs and 8 outputs
- Dual Channel Digital Signal Processor (DSP):
- 10-Band Parametric EQ
- High and Low Pass Filters
- Compressor
- Loudness Contour
- Bass and Treble
- Delay (MIXER mode)
- 34 TOA Speaker EQ Presets
- Single or Dual Channel Power Amplifiers 70.7 V, 25 V and low impedance models
- Flexible Output Power - dual channel models allow 50% of either amplifier channel to be allocated to the other channel (Ex. A-9060DHM2: CH1:90W, CH2:30W)
- Telephone Zone Paging - access up to eight zones with optional ZP-001T module
- Flexible, integrated, operating system (Mixer + Paging Matrix)
- Mixer functions along with simultaneous Priority Paging Matrix activation, each with 32 presets
- Scene memory (x32) contains all mixer (non-priority) settings
- Paging memory (x32) contains global (static) input settings, independent Xpoint assignments, paging trigger & paging output levels for all high priority (1, 2 & 3) inputs.
- Both scene & paging memories are stored in a single template along with remote assignments, security lock and other global functions
- Mixer & Paging functions are independent and mixer (scene) settings will not affect Paging (event) functions.
- Rack-mount Kit Included
- Five Year Warranty
Description
The SP-11N is a VoIP phone paging module supported SIP (Session Initiation Protocol) with Auto-answer function. It can be connected to an IP network and directly registered as one SIP phone station on various SIP server management software. It also has VOX and mute functions designed for use with TOA’s 9000M2, 900, 700 and BG-2000 series amplifiers.
Specifications
| Power Source | AC Adaptor AD-1215P or its equivalent |
| Network Interface | RJ-45 connector 10BASE-T / 100BASE-TX, Auto-negotiation |
| Network Protocol | SIP (RFC3261), TCP. UDP, BOOTP, DHCP, RTP SNMP, ICMP, HTTP |
| Audio Format | G.711 u-law / a-law |
| Control Output | 5 channels open collector output (Max. Voltage: 27V DC, Control current: 50mA Max.) Removable terminal block (6 pin) |
| Operating Temperature | -32°F (0°C) to +104°F (+40°C) |
| Finish | Panel: Aluminum, Hairline finish |
| Dimensions | 1.38”(W) x 3.07” (H) x 3.6”(D) |
| Weight | 0.2lb (86g) |
Description
The D-001T is a plug-in module designed for use with the 9000 Series amplifiers and can provide two independent balanced inputs. The D-001T can handle signals ranging from microphone level to line level by controlling their input sensitivity in 9 increments from -60 dB to -10 dB. Phantom power (+24 V) can be supplied for condenser microphone use. The D-001T can process effect for TONE/EQ/COMPRESSOR to two inputs independently.
Specifications
| Power Source | +24 V DC, -24 V DC, +6 V DC |
|---|---|
| Current Consumption | 20 mA (at +24 V DC), 20 mA (at -24 V DC), 60 mA (at +6 V DC) |
| Input | 2 channels, 3 kΩ (when the phantom power is ON)/10 kΩ (when the phantom power is OFF), electronically-balanced, removable terminal block (3 pins) |
| Input Sensitivity | -60, -54, -48, -42, -36, -30, -24, -18, -10 dB* (selectable) |
| Frequency Response | 20 Hz - 20 kHz, +1, -3 dB |
| Total Harmonic Distortion + N | 0.008 % (at 1 kHz, 20 Hz - 20 kHz BPF, Input sensitivity: -10 dB) |
| Input Equivalent Noise | Under -112 dB (at 20 Hz - 20 kHz BPF, Input short, Input sensitivity: -60 dB) |
| S/N Ratio | Over 73 dB (at 20 Hz - 20 kHz BPF, Input short, Input sensitivity: -10 dB) |
| Cross Talk | Over 75 dB (at 20 kHz, Input sensitivity: -10 dB) |
| CMRR | Over 62 dB (at 1 kHz, Input sensitivity: -60 dB) |
| A/D Converter | 24 bit ADC |
| Sampling Frequency | 48 kHz |
| Tone Control | Bass: ±12 dB (at 100 Hz) Treble: %%p12 dB (at 10 kHz) |
| Parametric Equalizer | 10 bands, Frequency: 20 Hz - 20 kHz, 31 points, Variable range: ±12 dB, Q: 0.3 - 5 |
| High-pass Filter | -12 dB/oct, Variable frequency range: 20 Hz - 20 kHz, 31 points |
| Low-pass Filter | -12 dB/oct, Variable frequency range: 20 Hz - 20 kHz, 31 points |
| Compressor | Depth: 1 - 5 |
| Phantom Power | +24 V DC |
| Operating Temperature | -10 ℃ to +40 ℃ |
| Finish | Panel: Aluminum, hair-line |
| Dimensions | 35 (W) × 78 (H) × 91.5 (D) mm |
| Weight | 82 g |
Description
The D-001R is a line input plug-in module designed for use with the 9000 Series amplifiers. It has 2-channel unbalanced inputs of RCA jacks. Input signals to both channels are mixed together. The D-001R can process effect for TONE/EQ/COMPRESSOR to two inputs independently.
Specifications
| Power Source | +24 V DC, -24 V DC, +6 V DC |
|---|---|
| Current Consumption | 20 mA (at +24 V DC), 20 mA (at -24 V DC), 60 mA (at +6 V DC) |
| Input | 2 channels, 2RCA/ch mixed, 10 kΩ, unbalanced, RCA pin jack Input |
| Sensitivity | -60, -54, -48, -42, -36, -30, -24, -18, -10 dB* (selectable) |
| Frequency Response | 20 Hz - 20 kHz, +1, -3 dB |
| Total Harmonic Distortion + N | 0.008 % (at 1 kHz, 20 Hz - 20 kHz BPF, Input sensitivity: -10 dB) |
| S/N Ratio | Over 70 dB (at 20 Hz - 20 kHz BPF, Input short, Input sensitivity: -10 dB) |
| Cross Talk | Over 75 dB (at 20 kHz, Input sensitivity: -10 dB) |
| A/D Converter | 4 bit ADC |
| Sampling Frequency | 48 kHz |
| Tone Control |
|
| Parametric Equalizer | 10 bands, Frequency: 20 Hz - 20 kHz, 31 points, Variable range: ±12 dB,
|
| High-pass Filter | -12 dB/oct, Variable frequency range: 20 Hz - 20 kHz, 31 points |
| Low-pass Filter | -12 dB/oct, Variable frequency range: 20 Hz - 20 kHz, 31 points |
| Compressor | Depth: 1 - 5 |
| Operating Temperature | -10 ℃ to +40 ℃ (14 ゜F to 104 ゜F) |
| Finish | Panel: Aluminum, hair-line |
| Dimensions | 35 (W) × 78 (H) × 91.5 (D) mm (1.38" × 3.07" × 3.6") |
| Weight | 82 g (0.18 lb) |
The U-14R is a plug-in type Input Priority module designed to be used in conjunction with TOA's 900 Series and BG-1000 Series amplifiers. The U-14R is equipped with 2 inputs: BGM and JUKE, and the JUKE input has priority over the BGM input. BGM signals are only output when an input is received. Output automatically switches over to JUKE signal input when JUKE signals are received. Each of BGM and JUKE inputs has both L and R inputs, which are internally mixed and output. The JUKE input is equipped with an AGC, which maintains a uniform output level for varying input signal levels. When the U-14R is used with a 900 Series amplifier, its outputs (both BGM and JUKE) can be turned off using the two MUTE BUS signal channels.
Description
Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
SpeedThe M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
MeteringWhen recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
LoopbackThe M4 driver provides convenient loopback channels to your host computer, so you can easily combine computer audio with live mics and/or guitar inputs to stream the combined mix to Youtube or your favorite podcasting platform in real time. Streaming and podcasting has never been easier and better-sounding!
Features
- ESS Sabre32 Ultra™ DAC technology for superb analog sound
- The same converter technology used in audio interfaces costing thousands
- Measured 120 dB dynamic range on outputs
- Measured -129 dBu EIN on mic inputs
- ESS-driven headphone output
Specifications
- Technical Specifications
- Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
- Mic/Line/Guitar: 2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs
Independent preamp gain, 48V phantom power and monitor switch for each input - Analog Inputs: 2x 1/4" line in
-
Analog Outputs:
4x 1/4" TRS line out (balanced, DC coupled)
4x RCA (unbalanced) analog out (mirrored)
1x 1/4" TRS stereo headphone - Computer I/O: 1x USB-C (compatible with USB Type A) 2.0 audio class compliant
-
MIDI I/O:
/1x MIDI IN
1x MIDI OUT
16 MIDI channels to/from computer host - Headphone: 1x 1/4" TRS stereo phone
- Phantom Power: 2x individual +48V
-
Front Panel:
1x 1/4" TRS headphone output
2x XLR/TRS combo inputs
1x Potentiometer: monitor vol
1x Potentiometer: phone vol
1x Potentiometer: input monitor mix
2x Potentiometer: mic/line/guitar input gain
5x Switches: (2) 48V, (2) MON and (1) 3-4
160x 120 pixel full-colored LCD with input and output level meters - Power: Bus-powered through USB
- Dimensions (WxHxD, enclosure only): 8.25 x 4.25 x 1.75" (20.955 x 10.8 x 4.5cm)
- Weight: 1.55Lbs (0.7kg)
- System Requirements
-
Mac System Requirements:
1 GHz Intel-based Mac or faster
2 GB RAM; 4 GB or more recommended
macOS version 10.11 or later
Available USB port
A large hard drive (at least 500 GB for recording) -
Windows System Requirements:
1 GHz Pentium-based PC compatible or faster
2 GB RAM; 4 GB or more recommended
Windows 7, 8 or 10
Available USB port
A large hard drive (at least 500 GB for recording) -
Class-Compliant Support:
USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required) -
Included Software:
MOTU Performer Lite
Ableton Live 10 Lite
6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU - Operating Systems: macOS 10.11 or later; Windows 7 or later
-
Mac System Requirements:
- Analog I/O
- Line Output: 1/4" TRS, balanced, tip hot, 120dB, -110dB, +16dBu
- Line Input: 1/4" TRS, bal/unbal, tip hot, 115dB, -106dB, +18dBu (at minimum gain)
- Mic input: XLR, balanced, pin 2 hot, 115dB, -129dBu EIN, +10dBu (at minimum gain)
- Phones: 1/4", TRS stereo, 115dB, -110dB, +12.5dBu
Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
Metering
When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
Loopback
The M2 driver provides convenient loopback channels to your host computer, so you can easily combine computer audio with live mics and/or guitar inputs to stream the combined mix to Youtube or your favorite podcasting platform in real time. Streaming and podcasting has never been easier and better-sounding!
Features:
- ESS Sabre32 Ultra™ DAC technology for superb analog sound
- The same converter technology used in audio interfaces costing thousands
- Measured 120 dB dynamic range on the outputs
- Measured -129 dBu EIN on mic inputs
- ESS-driven headphone output
Specifications:
- Technical Specifications
- Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
- Mic/Line/Guitar Inputs:
2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs
Independent preamp gain, 48V phantom power and monitor switch for each input - Analog Outputs:
2x 1/4" TRS line out (balanced, DC coupled)
2x RCA (unbalanced) analog out (mirrored)
1x 1/4" TRS stereo headphone - Computer I/O: 1 x USB-C (compatible with USB Type A) 2.0 audio class compliant
- MIDI I/O:
1x MIDI IN
1x MIDI OUT
16 MIDI channels to/from computer host
Headphone: 1x 1/4" TRS stereo phone
Phantom Power: 2x individual +48V - Front Panel:
1x 1/4" TRS headphone output
2x XLR/TRS combo inputs
1x potentiometer - monitor vol
1x potentiometer - phone vol
2x potentiometer - mic/instr input gain
4x switches - (2) 48V and (2) MON
160x 120 pixel full-colored LCD with input and output level meters - Power: Bus-powered through USB
- Dimensions (WxDxH, enclosure only): 7.5 x 4.25 x 1.75" (19.05 x 10.8 x 4.5cm)
- Weight: 1.35Lbs (0.61kg)
System Requirements - Mac System Requirements:
1 GHz Intel-based Mac or faster
2 GB RAM; 4 GB or more recommended
macOS version 10.11 or later
Available USB port
A large hard drive (at least 500 GB for recording) - Windows System Requirements:
1 GHz Pentium-based PC compatible or faster
2 GB RAM; 4 GB or more recommended
Windows 7, 8 or 10
Available USB port
A large hard drive (at least 500 GB for recording) - Class-Compliant Support: USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)
- Included Software: MOTU Performer Lite, Ableton Live 10 Lite, 6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU
- Operating Systems: macOS 10.11 or later; Windows 7 or later
Analog I/O - Line Output: 1/4" TRS, balanced, tip hot 120dB, -110dB, +16dBu
- Mic Input: XLR, balanced, pin 2 hot, 115dB, -129dBu EIN, +10dBu (at minimum gain)
- Phones: 1/4", TRS stereo 115dB, -110dB, +12.5dBu