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One Mic... From Start To Finish.
Professional sounding recordings shouldn't require an advanced degree in engineering. In your home studio or recording on the road, the Samson SAGM1UPRO G-Track Pro allows you to focus on your recording and less on the process. G-Track Pro is a USB microphone with an instrument input and mixer for recording two independent audio channels at one time. With the ability to capture your audio at 24-bit/96kHz, your recordings will deliver extremely detailed, high-resolution results. With plug-and-play connectivity and a straightforward design, G-Track Pro is the right choice for musicians, podcasters or streamers.

It's A Mic
Dual 1" (25mm) large-diaphragm condenser capsule captures the detail and nuance of your voice or instrument. Offering three selectable pickup patters (cardioid, omnidirectional and birdirectional), G-Track Pro provides the flexibility for any project. The front panel Mic gain control, so you always get the best signal level no matter where the mic is placed.

It's An Audio Interface
G-Track Pro includes a standard 1/4" instrument input for recording bass, guitar, keyboard and other line level devices. Singer/songwriters can quickly capture vocal and instrument performances simultaneously or podcasters can add a sub-mixer to record additional hosts and guests. A Mono / 2-Track switch allows you to record the mic and instrument on the same tracks for streaming content or on separate tracks for post production editing.

And It's A Mixer
G-Track pro includes a full-featured mixer with independent controls for the Mic and Instrument volume controls to optimize your mix. The 1/8" stereo output and high-quality headphone amplifier provides zero-latency playback complete with direct monitoring mix controls. It also features a Mute button that silences the input signals when needed, which is ideal for podcasters and gamers.

Out-standing!
G-Track Pro's heavy-duty, die-cast desktop base features permanent-grip hinges that hold the mic securely in place once you've selected an optimal recording position.

Features:

• All-in-one professional USB microphone with audio interface
• Ideal for podcasting, gaming/streaming and recording music
• Dual 1" (25mm) condenser capsule
• Cardioid (unidirectional), bidirectional and omnidirectional pickup patterns
• Smooth, flat frequency response of 50Hz-20kHz
• 24-bit, 96kHz resolution
• USB output for connecting to any Mac or PC device
• 1/4" instrument input for connecting guitars or line level devices
• Record Mic and Instrument input simultaneously
• 1/8" stereo headphone output with level control for zero-latency monitoring
• 3-color Power/Clip/Mute LED
• Plug-and-play, no driver installation required
• Compatible with most computer-based digital audio workstation software
• Die-cast zinc construction with heavy gauge mesh grille
• Integrated desktop base

Specifications:

• Polar Pattern: Cardioid (unidirectional), bidirectional, omnidirectional
• Capsule: Dual back electret condenser
• Diaphragm Width/Thickness: 25mm/3 microns
• Frequency Response: 50Hz-20kHz
• Sensitivity: +6dB FS/PA (all polar patterns)
• Max. SPL: 120dB SPL
• Bit Depth: 16 or 24-bit
• Sample Rate: Up to 96kHz
• Digital Output: USB
• Headphone Output: 1/8" (3.5mm)
• Headphone Impedance: 16Ω
• Headphone Power Output: 85mW @ 32Ω
• Instrument Input: 1/4"
• Instrument Input Impedance: 1MΩ
• Controls: Mute, Mic/Instrument/Headphone Volume, Monitor On/Off, Mono/2 Track
• Product Dimensions: 4.5" (116mm) x 10.5" (268.5mm) diameter
• Product Weight: 3.52lb (1.6kg)

Item Includes:

• 1x Samson SAGM1UPRO USB 24-Bit Professional USB Microphone with Audio Interface - 50Hz-20kHz

FC−404NETxl is a hybrid, analog and Dante, audio cross−connect mixer. Input audio, either analog lines/microphones or Dante audio over IP channels, are mixed and cross−connected to the analog audio output lines and/or Dante audio over IP output streams. The mixer accepts PoE via its network connection.

• High Performance Standard Mixer — Professional mixer, mixing any audio inputs to any outputs, including auto analog to digital audio format conversion, flexible input or cross–connect level and output gain adjustment. As a standard–compliant mixer, it connects to any market–available AES67–compliant Dante product.
• Hi–quality Sound Mixer — Features a fully flexible and preset signal management. Mix, route, and distribute any inputs and outputs in any audio format via simple click and connect. Select and toggle through 10 presets in the device’s embedded web pages’, or use API commands for a simple setup change with Kramer’s recommended room controller and adjustable level control.
• Professional, Open, Studio Grade Signal Conversion Technology — Includes the latest generation 32–bit advanced Digital Analog Converter architecture to achieve excellent dynamic performance and improved tolerance to clock jitter. Supports AES67 standard for open IP communication and interop. In addition, FC–404NETxl maintains the quality of the original audio signal with selectable sampling rates.
• Flexible Audio Cross–Connection — Fully configurable inputs, the analog lines, dynamic or condenser microphones, and audio over IP Dante channels, are mixed, format–converted and distributed to any set of outputs, either analog lines or audio over IP Dante streams.
• Comprehensive Unit Control and Configuration Options — Remote IP–based, or local serial, control via user–friendly embedded web pages, Protocol 3000 API commands, touch screen, or other controllers. The device is managed by Kramer Network or Dante DDM management.
• Versatile Powering — Powered by PoE through the Dante port or by a mains power adapter.
• Cost–Effective Maintenance — LED indicators for audio signals and network connection status facilitate easy local maintenance and troubleshooting. Remote IP–driven device management and optional whole site management system via built in web pages and RS–232 connection. Local and remote firmware upgrade via RS–232 or Ethernet connection tool ensure lasting, field proven deployment.
• Easy Installation — Single cable connectivity for both Ethernet signal and power. Compact DemiTOOLS® fan–less enclosure for surface mounting or side–by–side mounting of two units in a 1U rack space with the recommended rack adapter.

Applications

• Enterprise boardrooms and advanced conference rooms
• Education lecture halls and auditoriums
• Governmental large facilities with advanced audio mixing apps
• Any application with hybrid analog and digital audio mixing and cross–connection needs

Description

The M-900MK2 Mixer Preamplifier controls and mixes up to eight independent input signals and delivers up to +20 dBm of output power. Optional plug in modules are available for use with mixer preamplifier to provide versatility for a wide range of operating applications

Specifications

The MA-725F is a 6-input matrix mixer: 4 of its inputs are configured for BGM or other line-level sources, while two balanced inputs are designated for priority sources, such as paging mics or message players. This is coupled in a single chassis with a 4 x 250W (@70 or 100V) Class D amplifier section, capable of driving large speaker compliments with maximum efficiency. It has capability to control by API.

A totally digital product sporting 24Bit/48kHz digital sound quality, its simple user-interface belies its advanced inner workings. The only controls any user needs to access are the front panel source select buttons and four output level (zone) controls. All other controls are placed on the rear panel to prevent unauthorized tampering. An optional wall control (WP-700-AM) can be connected via a single shielded CAT5 cable to each of the four output channels, allowing access to volume and source select.

The new TOA MA-725F Matrix Amplifier is developed from years of experience providing mixer-amplifiers for the retail industry (with a client list that’s a virtual “who’s who” of retail) and with the cooperation of some of its top players, the MA-725F is designed to address the demand for a simpler and more cost-effective, mid-level background music and paging systems needing higher power with multiple zones. Just as advanced as some of its high-priced kin, but without the complicated setup or programming required by many other solutions.

The digital mixer section also features a menu of 26 TOA speaker EQ presets (selectable by dip-switch), factory-loaded, to optimize the sound of our most popular PA and audio speakers. It also provides settings to allow bi-amping with subwoofers and offers many popular audio playback EQ curves. TOA will also offer a non-powered Matrix Mixer version (MM-700F) for use with external amplifiers to allow for customized power selection.

The WP-700-AM is a remote control switch/volume panel that is designed for the MA-725F mixer amplifier, which can remote select input source and adjust volume levels when connected via a shielded Ethernet cable to the MA-725F mixer amplifier. It can also be mounted in a 1-gang electrical box (American type).

The browser Control feature allows password protected control of source, volume control and options from a browser on your PC (Internet Explorer, Google Chrome, Firefox, etc.). Smartphones (iOS or Android devices) using a browser function are also supported.

The BG-2480D (480W) is 5-input mixer amplifier designed for background music distribution and general announcements in commercial spaces such as bars/restaurants, retail stores and hospitality facilities. They are each equipped with an MOH output that permits two independent zones when used in conjunction with an optional external power amplifier with a line level analog audio input.

It uses D-class amplifiers which are lighter, more efficient and cooler running than conventional amplifier and have the same basic feature set as analog BG-2000 models, including:

• Dual balanced priority mic/line inputs
• dual unbalanced line inputs
• assignable 2nd zone/MOH output
• front panel bass and treble controls
• remote volume control port
• assignable mute function
• a 900 series input module slot (output modules not compatible).

The BG-2240D (240W) is 5-input mixer amplifier designed for background music distribution and general announcements in commercial spaces such as bars/restaurants, retail stores and hospitality facilities. They are each equipped with an MOH output that permits two independent zones when used in conjunction with an optional external power amplifier with a line level analog audio input.

It uses D-class amplifiers which are lighter, more efficient and cooler running than conventional amplifier and have the same basic feature set as analog BG-2000 models, including:

• Dual balanced priority mic/line inputs
• dual unbalanced line inputs
• assignable 2nd zone/MOH output
• front panel bass and treble controls
• remote volume control port
• assignable mute function
• a 900 series input module slot (output modules not compatible).

The BG-2120 is a 120 W 5-input mixer amplifier for background music and general announcements. It is suited for use in bars, retail stores, and banquet rooms, and is equipped with the MOH OUT that permits 2-channel broadcast when used in conjunction with the optional booster amplifier BA-235 (35 W) or BA-260 (60 W)

It is a total redesign of the highly successful BG-1000 Series and not just for design's sake. We spoke with our customers, who told us exactly what they wanted in a commercial background music & paging amplifier. We responded with a newly-engineered chassis, designed to not only look better, but perform better and most of all-install easier. Starting with removable euro-block connectors to make wiring a snap, we added assignable MOH/Second Zone source assignment and provided access to mute priority and other settings via rear panel DIP switches - no more popping the top. Lastly, we've upped the power to 35W on the lower end model. Of course, we kept all the good stuff-solid, reliable performance for which TOA has been renowned.

The BG-2060 is a 60 W 5-input mixer amplifier for background music and general announcements. It is suited for use in bars, retail stores, and banquet rooms, and is equipped with the MOH OUT that permits 2-channel broadcast when used in conjunction with the optional booster amplifier BA-235 (35 W) or BA-260 (60 W)

It is a total redesign of the highly successful BG-1000 Series and not just for design's sake. We spoke with our customers, who told us exactly what they wanted in a commercial background music & paging amplifier. We responded with a newly-engineered chassis, designed to not only look better, but perform better and most of all-install easier. Starting with removable euro-block connectors to make wiring a snap, we added assignable MOH/Second Zone source assignment and provided access to mute priority and other settings via rear panel DIP switches - no more popping the top.

The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/ V equipment. Designed with single-person operation in mind, the VR-4HD enables easy switching and mixing of sound and video using advanced video and audio Digital Signal Processing (DSP) along with dedicated hardware controls faders, buttons and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming interface into a stand-alone device.

The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The built-in multi-view screen is also a touch screen interface for accessing set-up parameters, making it extremely easy to adjust picture-in-picture settings by dragging the inset window onto the screen.

YESTERDAY'S VIDEO SOURCES
The VR-4HD has three dedicated HDMI input connectors compatible with a variety of equipment and support 1080p/1080i/720p video resolution. The fourth input includes a scaler to support both video and computer resolutions and also supports analog RGB and component input so older devices can be used as sources without the need for external conversion equipment.

Both progressive and interlace signals can be input allowing for both 1080i and 1080p signals to be used at the same time. Video signals input from a PC are accurately displayed thanks to progressive signal processing. HDCP is supported for input of copy protected content from devices such as Blu-ray disc players.

COMPOSITING EFFECTS
The VR-4HD includes DSK (Downstream Keying), Picture-in-Picture (PnP), Split and Quad composting effects ideal for creating news style broadcasts and corporate presentation content.

The DSK function is great for overlaying titles, song lyrics or logos onto incoming video sources that can be switched in the background while text or images remain displayed.The DSK supports both Luminance Keying (Black / White) and Chroma Keying (Blue / Green) for compositing two videos in one screen using Picture-in-Picture, or for using the split function - ideal for seminars and presentations.

Features:

• All-in-one portable production solution
• Easy to use with dedicated hardware controls and audio faders and integrated touch screen preview monitor
• 6 input, 4-Channel Video Switcher
• Supports HDMI, RGB/Component, and Composite Video Inputs Up to 1080p
• Built-in Scaler via CH4
• 18-Channel Digital Audio Mixer with XLR, TRS, and RCA jacks along with audio from HDMI inputs
• Embedding and de-embedding of audio with delay settings
• Auto mixing and Echo Canceling function
• Composition effects including DSK (Downstream Keyer), picture-in-picture etc.
• Built-in touch quad-input multi-viewer with audio metering
• External Multi-View Output through HDMI
• HDCP Support
• USB3.0 Video/Audio Output up to 1080/30p (uncompressed) and Audio Loop-back Feature
• Software control using VR-4HD RCS application for Mac and PC and remote control via USB connection
• Tally, GPIO connections
• HDCP Compliant

Specifications:

• VIDEO
• Processing: 4:2:2 (Y/Pb/Pr), 8-bit
• Input Connectors: INPUT 1-3: HDMI Type A (19 pins) x 3 HDCP Supported
• INPUT 4: HDMI Type A (19 pins) x 1 HDCP Supported
• RGB/COMPONENT (Mini D-sub 15-pin type) x 1
• COMPOSITE (RCA phono type) x 1
• INPUT 4: HDMI , RGB/COMPONENT or COMPOSITE selected.
• Output Connectors: MAIN OUT: HDMI Type A (19 pins) x 1 HDCP Supported
• RGB/COMPONENT (Mini D-sub 15-pin type) x 1
• PREVIEW OUT: HDMI Type A (19 pins) x 1 HDCP Supported
• USB3.0: USB B type x 1
• Input formats: HDMI INPUT 1-3: 720/59.94p, 720/50p (SYSTEM FORMAT: 720p)
• 1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p (SYSTEM FORMAT: 1080i, 1080p)
• INPUT 4: HDMI, RGB/COMPONENT:
  • 480/59.94i, 576/50i, 480/59.94p, 576/50p
  • 720/59.94p, 720/50p, 1080/59.94i, 1080/50i
  • 1080/59.94p, 1080/50p
• VGA (640 x 480/60 Hz), SVGA (800 x 600/60 Hz), XGA (1024 x 768/60 Hz)
• WXGA (1280 x 768/60 Hz), SXGA (1280 x 1024/60 Hz)
• FWXGA (1366 x 768/60 Hz), SXGA (1400 x 1050/60 Hz)
• UXGA (1600 x 1200/60 Hz) , WUXGA (1920 x 1200/60 Hz)
• COMPOSITE: 480/59.94i, 576/50i
• Output formats: MAIN OUT (HDMI, RGB/COMPONENT): 480/59.94i, 576/50i, 480/59.94p, 576/50p
• 720/59.94p, 720/50p, 1080/59.94i, 1080/50i
• 1080/59.94p, 1080/50p
• VGA (640 x 480/60 Hz), SVGA (800 x 600/60 Hz), XGA (1024 x 768/60 Hz)
• WXGA (1280 x 768/60 Hz), SXGA (1280 x 1024/60 Hz)
• FWXGA (1366 x 768/60 Hz), SXGA (1400 x 1050/60 Hz)
• UXGA (1600 x 1200/60 Hz) , WUXGA (1920 x 1200/60 Hz)
• PREVIEW OUT: 720/59.94p, 720/50p (SYSTEM FORMAT: 720p)
• USB3.0: 720/29.97p, 720/25p (SYSTEM FORMAT: 720p)
• Video Effects Transition: CUT, MIX (DISSOLVE/FAM/NAM/MOSAIC), WIPE (30 types)
• Effects: NEGATIVE, EMBOSS, COLORIZE, COLORPASS, POSTERIZE, SILHOUETTE, MONOCOLOR, FINDEDGE (8 types)
• Composition: PnP, SPLIT, QUAD, KEY (Luminance Key, Chroma Key)
  
  AUDIO
• Audio Processing Sampling rate: 24 bits/48 kHz Audio formats HDMI: Linear PCM, 24 bits/48 kHz, 2 ch
• USB: Linear PCM, 16 bits/48 kHz, 2 ch Input Connectors AUDIO IN 1-4 (XLR/TRS combo type, phantom power)
• AUDIO IN 5-6 (RCA phono type)
• AUDIO IN 7/8 (Stereo miniature type)
• USB B type (stereo) Phantom Power DC 48 V (unloaded maximum), 10 mA (maximum load) * Current value per channel Output Connectors AUDIO OUT: L, R (XLR type) L, R (RCA phono type)
• AUX OUT: L, R (RCA phono type)
• USB: USB B type (stereo)
• PHONES: Stereo miniature type Signal Level and Impedance XLR/TRS combo type
• Input Signal Level : -60-- 4 dBu (Maximum: 22 dBu)
• Input Impedance : 10 k ohms (GAIN 0--23 dB), 5 k ohms (GAIN 24--64 dB) RCA phono type
• Input Signal Level : -10 dBu (Maximum: 8 dBu)
• Input Impedance : 15 k ohms
• Output Signal Level : -10 dBu (Maximum: 8 dBu)
• Output Impedance : 1 k ohm XLR type
• Output Signal Level : 4 dBu (Maximum: 22 dBu)
• Output Impedance : 600 ohms
• Miniature type
• Input Signal Level : -15 dBu (Maximum: 3 dBu)
• Input Impedance : 15 k ohms
• Headphones
• Output Signal Level : 75 mW 75 mW
• Output Impedance : 32 ohms
• Audio Effects: Auto Mixing, Echo Cancel, EQ, Delay, Compressor, High Pass Filter, Gate, Reverb, Multi-Band Compressor, Limiter

The VA-14 is a high-performance 4-channel mixer for balanced mono audio signals on XLR connectors. The unit inputs four channels of any combination of balanced mic or line level audio signals and outputs two mixed balanced audio and one headphone signal.

• S/N Ratio — Mic in, phones out: 45.3dB; line in, phones out: 83.3dB; line in, line out: 84.3dB; mic in, line out: 64dB.
• Level (Gain) Control — Individual for each input & master and headphone output.
• Phantom Power — 48V DC on each input (individually selectable).
• Desktop Size — Compact size. 2 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.

The 102xl is a high−performance 2−channel mono audio mixer for balanced line level and mic level mono audio signals. The unit mixes two mono inputs and produces a mixed audio output signal.

• S/N Ratio — 91.5dB (line level), 62.5dB (mic level).
• Line or Mic Level — Input selectable.
• Phantom Power — 48V DC (input selectable).
• Level (Gain) Control — Input 1, input 2, and master.
• Compact MultiTOOLS® — 4 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.

The 907xl is a high−performance power amplifier for line−level stereo audio signals. It accepts a balanced stereo audio signal on a terminal block connector and an unbalanced stereo signal on RCA connectors. It delivers 40 watts per channel into an 8Ω load.

• High Efficiency — Class D operation.
• Controls — 1 volume control knob for each input & mute button.
• Gain Control DIP–Switches.
• Mute and On Indicator LEDs.
• Compact MultiTOOLS® — Up to 4 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.

The BG-2035 is a 35 W 5-input mixer amplifier for background music and general announcements. It is suited for use in bars, retail stores, and banquet rooms, and is equipped with the MOH OUT that permits 2-channel broadcast when used in conjunction with the optional booster amplifier BA-235 (35 W) or BA-260 (60 W)

It is a total redesign of the highly successful BG-1000 Series and not just for design's sake. We spoke with our customers, who told us exactly what they wanted in a commercial background music & paging amplifier. We responded with a newly-engineered chassis, designed to not only look better, but perform better and most of all-install easier. Starting with removable euro-block connectors to make wiring a snap, we added assignable MOH/Second Zone source assignment and provided access to mute priority and other settings via rear panel DIP switches - no more popping the top. Lastly, we've upped the power to 35W on the lower end model. Of course, we kept all the good stuff-solid, reliable performance for which TOA has been renowned.

Description

• Powerful live production automation with sequencing, macros, and scene memories
• Built-in streaming encoders for transmitting two livestreams at rates up to 1080p/60 FPS
• Record streams directly to an SDXC card for archiving, editing, and distribution
• Six 1080p HDMI inputs with frame rate converters and scalers
• Support for cinema and broadcast frame rates
• Five-layer video effects engine
• Five total outputs: three HDMI, USB-C streaming, and a dedicated direct streaming output
• Six selectable output modes: Program, Sub-Program, Aux, Preview, Multi-View, and Still-View
• 28-channel digital audio mixer with advanced effects and processing
• 16-slot still store function supports screen capture or uploaded BMP, JPEG, and PNG images with alpha channel in the internal non-volatile memory
• Enhance your livestreams with sound effects, still images, and video sources stored on an SDXC card
• Audio Player function with six trigger pads and onboard storage for 12 audio files
• Control six PTZ cameras with support for multiple brands and mixed protocols
• 4.3-inch touch screen with graphical menu
• Extensive device control with Bluetooth®, USB, RS-232, and LAN
• Remote control software available for iPad, macOS, and Windows*
• Wireless and wired camera tally support 

• Layers 1-2—Start with mixable live background video layers. 
• Layers 3-4—Place two picture-in-picture layers or chroma/luminance key effects. 
• Layer 5—Add a downstream keyer with support for fill and key inputs. 

• The free VR-6HD Remote app for iPad connects via Bluetooth, allowing you to wirelessly operate functions at events via a portable touch interface.*
• Use the free VR-6HD Remote Control Software to operate the switcher from a Mac or Windows computer.* 
• Connect footswitches or expression pedals to execute over 100 different switcher commands.  
• Trigger start/stop on select third-party recorders over HDMI. 
• Set up a tally light with Roland’s Smart Tally or the rear-panel hardware connector. 
• Seamlessly integrate with system installations via the RS-232 and TALLY/GPIO D-Sub connectors.

Specifications

[Video]
-Video Processing
4:2:2 (Y/Pb/Pr), 8-bit

-Number of Video Channels
6 channels

-Video Input Formats
VIDEO IN 1--6
480/59.94i, 480/59.94p, 720/59.94p, 1080/59.94i, 1080/59.94p, 1080/60p, 1080/29.97p, 1080/30p *1
576/50i, 576/50p, 720/50p, 1080/50i, 1080/50p, 1080/25p *2
1080/23.98p, 1080/24p
VGA (640 x 480/60 Hz), SVGA (800 x 600/60 Hz), XGA (1024 x 768/60 Hz)
WXGA (1280 x 800/60 Hz), SXGA (1280 x 1024/60 Hz)
FWXGA (1366 x 768/60 Hz), SXGA (1400 x 1050/60 Hz)
UXGA (1600 x 1200/60 Hz), WUXGA (1920 x 1200/60 Hz)
* The refresh rate is the maximum value of each resolution.
* Conforms to CEA-861-E,VESA DMT Version 1.0 Revision 11.
* 1920 x 1200/60 Hz: Reduced blanking
* The input interlaced video signal is converted to progressive video signal by internal processing.
*1 Frame Rate = 59.94 Hz, 60 Hz
*2 Frame Rate = 50 Hz


-Video Output Formats
VIDEO OUT 1--3:
720/59.94p *1, *4
720/60p *1, *5
720/50p *1, *8
1080/59.94i *2, *4
1080/60i *2, *5
1080/50i *2, *8
1080/59.94p *3, *4
1080/60p *3, *5
1080/29.97p *3, *6
1080/30p *3, *7
1080/50p *3, *8
1080/25p *3, *9
1080/23.98p *3, *10
1080/24p *3, *11
*1 Output Format = 720p
*2 Output Format = 1080i
*3 Output Format = 1080p
*4 Frame Rate = 59.94 Hz
*5 Frame Rate = 60 Hz
*6 Frame Rate = 29.97 Hz
*7 Frame Rate = 30 Hz
*8 Frame Rate = 50 Hz
*9 Frame Rate = 25 Hz
*10 Frame Rate = 23.98 Hz
*11 Frame Rate = 24 Hz

USB STREAM:
1080/59.94p, 720/59.94p, 640 x 480/59.94p *1
1080/60p, 720/60p, 640 x 480/60p *2
1080/29.97p, 720/29.97p, 640 x 480/29.97p *3
1080/30p, 720/30p, 640 x 480/30p *4
1080/50p, 720/50p, 640 x 480/50p *5
1080/25p, 720/25p､640 x 480/25p *6
1080/23.98p, 720/23.98p､640 x 480/23.98p *7
1080/24p, 720/24p､640 x 480/24p *8
* Uncompressed format (YUY2) and Compressed format (Motion JPEG) supported.
*1 Frame Rate(USB Out) = 59.94 Hz
*2 Frame Rate(USB Out) = 60 Hz
*3 Frame Rate(USB Out) = 29.97 Hz
*4 Frame Rate(USB Out) = 30 Hz
*5 Frame Rate(USB Out) = 50 Hz
*6 Frame Rate(USB Out) = 25 Hz
*7 Frame Rate(USB Out) = 23.98 Hz
*8 Frame Rate(USB Out) = 24 Hz

-Stream and Record formats
720/59.94p *1, *3
720/60p *1, *4
720/29.97p *1, *5
720/30p *1, *6
720/50p *1, *7
720/25p *1, *8
1080/59.94p *2, *3
1080/60p *2, *4
1080/29.97p *2, *5
1080/30p *2, *6
1080/50p *2, *7
1080/25p *2, *8
1080/23.98p *2, *9
1080/24p *2, *10
*1 Output Format = 720p
*2 Output Format = 1080p
*3 Frame Rate (Stream/Record) = 59.94 Hz
*4 Frame Rate (Stream/Record) = 60 Hz
*5 Frame Rate (Stream/Record) = 29.97 Hz
*6 Frame Rate (Stream/Record) = 30 Hz
*7 Frame Rate (Stream/Record) = 50 Hz
*8 Frame Rate (Stream/Record) = 25 Hz
*9 Frame Rate (Stream/Record) = 23.98 Hz
*10 Frame Rate (Stream/Record) = 24 Hz

File Format: MP4
Codec:
H.264, target bitrate up to 20,000 kbps
AAC LC, 16 bits, 48 kHz, stereo, target bitrate up to 384 kbps

File Format: WAV
Codec:
Linear PCM, 16 bits, 48 kHz, stereo
* If either the streaming and recording format or the file played by the video player exceeds 1080/30p, the streaming and recording and video player functions cannot be used simultaneously.
* If the bitrate setting for Streaming and Recording and the bitrate of the file played on Video Player exceeds 20,000 kbps, Streaming and Recording and Video player cannot be used simultaneously.

-Video Player
File Format: MP4 (H.264, AAC), Average bit rate of 20,000 kbps or less, Maximum 1080/60p
* If either the streaming and recording format or the file played by the video player exceeds 1080/30p, the streaming and recording and video player functions cannot be used simultaneously.
* If the bitrate setting for Streaming and Recording and the bitrate of the file played on Video Player exceeds 20,000 kbps, Streaming and Recording and Video player cannot be used simultaneously.

-Still Image:
Bitmap File (.bmp) Maximum 1920 x 1080 pixels, 24-bit color, uncompressed.
PNG File (.png) Maximum 1920 x 1080 pixels, 24-bit color
JPEG File (.jpg, .jpeg) Maximum 1920 x 1080 pixels, 24-bit color
* It can be stored up to 16 files in the internal memory.
* It can be exported in the SD Card and USB flash drive.
* PNG alpha channel supported.

-Video Effects
Transition: Cut, Mix (Dissolve/Fam/Nam), WIPE (8 types), SPLIT (2 types)
Composition: PinP x 2 (Square, Circle, Diamond), Keyer x 2 (Luminance Key, Chroma Key), DSK (Luminance Key, Chroma Key, Alpha Key, External Key)
Others: Multi-View (3 types), Flip horizontal, Flip vertical, Still Image capture, Still Image playback, Output fade (Audio, Video: White or Black), Test pattern output, Stream Delay


[Audio]
-Audio Processing
Sample rate: 24 bits, 48 kHz

-Number of Audio Channels
28 channels

-Audio Formats
USB STREAM (input/output): Linear PCM, 24 bits, 48 kHz, 2 ch
Bluetooth (input): Linear PCM, 24 bits, 48 kHz, 2 ch
VIDEO IN: Linear PCM, 24 bits, 48 kHz, 2 ch
VIDEO OUT: Linear PCM, 24 bits, 48 kHz, 8 ch

-Audio Player
File format: WAV (Linear PCM, 16 bits, 48 kHz/44.1 kHz, stereo)
* It can be stored up to 16 tracks in the internal memory.

-Audio Effects
Channel Effects: High pass filter, Echo canceller, Anti-feedback, Noise gate, De-esser, Compressor, 4-Band equalizer, Voice changer, Delay, Auto mixing
Master Effects: Reverb, 4-Band equalizer, Compressor/Limiter, Loudness Auto Gain Control, Adaptive Noise Reduction, Low Frequency Cut, 15-Band GEQ, Delay
Others: Output fade, Test tone output


[Common Section]
-Recording Media
SDHC/SDXC card (sold separately)
USB flash drive (sold separately)
* SDXC card is required for video recording.

-Other Functions
Scene Memory (32 types)
Macro Control (100 types)
Sequencer Control (1000 types)
Panel lock function
EDID Emulator
Auto Switching
Auto Input Detect
Smart Tally
Remote Camera Control (Up to 6 units)
External Rec Control


[Connectors]
-Video Input Connectors
VIDEO IN 1--6: HDMI type A x 6
* HDCP Supported
* Multi-format Supported

-Video Output Connectors
VIDEO OUT 1--3: HDMI type A x 3
* HDCP Supported

USB STREAM: USB Type-C (TM)

-Audio Input Connectors
Analog:
AUDIO IN 1--6: Combo type (XLR, 1/4-inch TRS phone), phantom power DC 48 V (unloaded maximum), 14 mA (maximum load)
AUDIO IN 7/L, 8/R: RCA phono type

Digital:
USB STREAM: USB Type-C (TM)
Bluetooth
VIDEO IN 1--6: HDMI type A x 6

-Audio Output Connectors
Analog:
AUDIO OUT 1/L, 2/R: XLR type
AUDIO OUT 3/L, 4/R: RCA phono type
PHONES: Stereo miniature phone type

Digital:
USB STREAM: USB Type-C (TM)
VIDEO OUT 1--3: HDMI type A x 3

-Other Connectors
USB HOST: USB A type (for USB flash drive)
USB STREAM: USB Type-C (TM) (for remote control from PC and iPad)
Bluetooth: for remote control from iPad
CTL/EXP 1, 2:1/4-inch TRS phone type (for remote control from foot switch and expression pedal)
TALLY/GPIO: DB-25 type (Female)(Tally/GPO: 16, GPI: 8)
RS-232: DB-9 type (Male) (for Remote Control)
DIRECT STREAM: RJ45, 1000BASE-T (for Live Streaming and Remote Control)

[Audio Input/Output Characteristics]
-Input Level
AUDIO IN 1--6: -64-- 4 dBu (Maximum: 24 dBu)
AUDIO IN 7/L, 8/R: -10 dBu (Maximum: 10 dBu)

-Input Impedance
AUDIO IN 1--6: 8.4 k ohms
AUDIO IN 7/L, 8/R: 10 k ohms

-Output Level
AUDIO OUT 1/L, 2/R (XLR): 4 dBu (Maximum: 24 dBu)
AUDIO OUT 3/L, 4/R (RCA): -10 dBu (Maximum: 10 dBu)
PHONES: 92 mW 92 mW (32 ohms)

-Output Impedance
AUDIO OUT 1/L, 2/R (XLR): 600 ohms
AUDIO OUT 3/L, 4/R (RCA): 1 k ohm
PHONES: 33 ohms


[Others]
-Bluetooth
Ver 5.0
Profile Support: A2DP (Audio), GATT (MIDI over Bluetooth Low Energy)
Codec: SBC (Support to the content protection of the SCMS-T method)

-Display
Graphic Type, 4.3", Wide QVGA (480 x 272 dots), backlite LCD (Color/Touch screen)

-Power Supply
AC adaptor

-Current Draw
2.3 A

-Power Consumption
55 W

-Operation Temperature
0 to 40 degrees Celsius
32 to 104 degrees Fahrenheit

-Dimensions
370 (W) x 242 (D) x 100 (H) mm
14-5/8 (W) x 9-9/16 (D) x 3-15/16 (H) inches

-Weight (excluding AC adaptor)
3.4 kg
7 lbs 8 oz

-Accessories
Startup Guide
Leaflet "USING THE UNIT SAFELY"
AC adaptor
Power cord

-Options (sold separately)
Footswitch: BOSS FS-5U, FS-6, FS-7
Expression Pedal: EV-5, EV-30, BOSS FV-500L, FV-500H

* 0 dBu = 0.775 Vrms

These Plena Economy mixer amplifiers are professional public address units with modern state-of-the-art features. They are easy to use, taking the complexity away from the user and putting it where it belongs, inside the equipment. Providing a crisp call or clear music is as easy as turning on the radio. Offering the essentials of public address in an affordable package.

Microphone and line inputs

All Mic/line inputs can be switched between microphone level and line level sensitivity. The inputs are balanced but can be used unbalanced. Phantom power can be switched on to provide power to condenser microphones.

Input channel 1 can take priority over all other microphone and music inputs: Input 1 can be activated by contact closure on the PTT (push to talk). A 2-tone chime can be configured to precede an announcement.

Music inputs

A separate music input is available with its volume control. The user can choose a music source like a CD player or radio (like the PLN-DVDT), and set the level of music.

Personalized settings
More unique features are available such as detachable labels where the user can write the names for inputs, music sources and zones. These labels can then be mounted on the front, protected by the clear window. Another useful feature is to indicate preferred settings on the front panel by inserting colored pins at the preset levels of all knobs. You can then instruct a user to set all the controls to the silver pins to configure the system for their particular use. A second user can set all controls to the red pins for their configuration.

Power
The mixer amplifiers come in 60, 120 and 240 Watt output power. This power is directly available on 70V constant voltage connections and on a low impedance connection for a 4 ohm load. Moreover, the amplifiers have a separate 70V call-only output channel for addressing areas where only priority announcements are required. The call-only output can also be used for 3-wire remote, volume control override.

Output status
An LED VU meter monitors the master output. A headphone socket, below the VU meter, provides the mixer output. For total reliability and ease of use, a limiter is integrated into the output stage to restrict output if the user applies too much signal.

Features:

• 4 microphone / line inputs, plus music source input
• Announcement only output, 3-wire volume override
• Wide range of output power (60, 120 and 240 Watts)
• 2-tone chime

Unparalleled DSP mixer ideal for multi-zone paging, music distribution and room-combining applications.

The A-9060DHM2 CU Amplifier is designed to be used in conjunction with optional modules and can be configured for up to 8 inputs and 8 outputs. 9000 series modules as well as existing 900 series input modules can be used. The more appropriate modules can be selected depending on applications. Since it comes with two 60W power amplifiers, it can individually perform multi-origin broadcasts. It is equipped with signal processing and control functions necessary for sound reinforcement, permitting all parameters to be set at the mixer. Settings data can be stored inside the unit and called up using the keys on the front panel.

• Modular Digital Matrix Mixer/Amplifiers for a multitude of applications including audio-visual, zone paging, room combining and many more
• Easy to Configure and Operate
• Exceptional Audio Quality
  • 24-bit, 48 kHz sampling
  • Ultra-Low Distortion - 0.0008%
  • Minimum Latency - 1.1ms (D-001T input to output)
• Modular Mixer - up to 8 mic/line inputs and 8 outputs
• Dual Channel Digital Signal Processor (DSP):
  • 10-Band Parametric EQ
  • High and Low Pass Filters
  • Compressor
  • Loudness Contour
  • Bass and Treble
  • Delay (MIXER mode)
  • 34 TOA Speaker EQ Presets
• Single or Dual Channel Power Amplifiers 70.7 V, 25 V and low impedance models
• Flexible Output Power - dual channel models allow 50% of either amplifier channel to be allocated to the other channel (Ex. A-9060DHM2: CH1:90W, CH2:30W)
• Telephone Zone Paging - access up to eight zones with optional ZP-001T module
• Flexible, integrated, operating system (Mixer + Paging Matrix)
  • Mixer functions along with simultaneous Priority Paging Matrix activation, each with 32 presets
  • Scene memory (x32) contains all mixer (non-priority) settings
  • Paging memory (x32) contains global (static) input settings, independent Xpoint assignments, paging trigger & paging output levels for all high priority (1, 2 & 3) inputs.
  • Both scene & paging memories are stored in a single template along with remote assignments, security lock and other global functions
  • Mixer & Paging functions are independent and mixer (scene) settings will not affect Paging (event) functions.
• Rack-mount Kit Included
• Five Year Warranty

The RGBLink Mini+ makes the sophisticated simple. Switch seamlessly between any of the four HDMI inputs and output to both HDMI and the dedicated USB 3.0 output, mini is equally ideal for live streaming applications and presentations, allowing multiple sources to be utilized for a professional impression every time. On board features include PIP, transition effects, and external audio embedding and with the mini+ feature pack there is support for Sony VISCA PTZ cameras and DSK. Large buttons make quick actions easy, while the provision of the T-bar allows smooth transition between sources, whether they be cameras or graphics. Compact in size, mini goes anywhere, and with handy features like the ability to mount to standard 1/4 in UNC accessories. Mini is at home in any studio.

Take video mixing anywhere with the mini video mixer providing personal video control where it is needed

Large buttons make quick actions easy, while the provision of the T-bar allows smooth transition between sources, whether they be cameras or graphics. Compact in size, mini goes anywhere, and with handy features like the ability to mount to standard 1/4in UNC accessories, mini is at home in any studio.

Scale Convert Present
The RGBlink advanced hardware-based video processing engine supports scaling and full 4:4:4 color space for optimal visual output.

Preview Built-in
Preview sources and PVW/PGM directly from the LCD display on the front panel.

Connect & Control
Control directly from the front panel, or remotely via a LAN connection with apps for laptops and mobile devices, or integrate with third party apps

Stream & Capture
Connect mini to a USB 3.0 device for capture or streaming to virtually any platform via OBS.

Synchronise with Audio
Utilise embedded or external audio and extract to audio mixers or other devices for video and audio synchronisation.

Crop, Position, Scale
Focus on exactly the video area required with pixel-to-pixel cropping, XY positioning and scaling to zoom.

Features:

• USB 3.0 live streaming port
• Compact design
• Live preview of four inputs
• Seamless switching
• Auto cut and manual switch
• Transition effects
• PIP (Picture-In-Picture) presets
• DSK/Chromakey
• Apply LOGO
• Audio insert/extract
• HDMI output as PGM or Multi-view
• Control remotely from app
• Remote control of PTZ cameras
• Support for third party apps including OBS Studio

Specifications:

• Connectors
• Input: HDMI 4 x HDMI-A
• Output: HDMI 1 x HDMI-A, USB 3.0 1 x USB Type A
• Audio: In 1 x 3.5mm Stereo Jack, Out 1 x 3.5mm Stereo Jack
• Communications: LAN 1 x RJ45
• Power: 1 x DC Jack
  
  Performance
• Input Resolutions: HDMI
• SMPTE: 720p@50/60 | 1080i@50/60 | 1080p@23/24/30/50/60
• VESA: 1024x768@60 | 1280x720@60 | 1280x768@60 | 1280x800@60 | 1280x1024@60 | 1360x768@60 | 1366x768@60 | 1440x900@60 | 1600x1200@60 | 1680x1050@60 | 1920x1080@60 | 1920x1200@60
• Output Resolutions: HDMI
• SMPTE: 720p@50/60 | 1080p@24/25/30/50/60
• VESA:1024x768@60 | 1280x720@60 | 1280x768@60 | 1280x1024@60 | 1360x768@60
• USB Streaming: 1280x720@50/60 | 1280x1024@60 | 1360x768@60 | 1920x1080@24/25/30/50/60
  
  Supported Standards
• HDMI: 1.3
• USB: 3.0
• H.265: ITU-T H.265 - ISO/IEC 23008-2
• PTZ: VISCO
  
  Power
• Input Voltage: DC 12V/1.5A (via Plug Pack supplied)
• Max Power: 18W
  
  Environment
• Temperature: -0°~70°
• Humidity: 10% - 85% RH

Convenient connections plus a stereo Bluetooth channel add true versatility.

The Alesis MultiMix 10 Wireless is redefining the rack mount mixer category. Compact and complete, the MultiMix 10 Wireless delivers ten-channel mixing in a neat 3U package that is perfect for smaller clubs and venues, houses of worship, as well as mobile/traveling systems. The MultiMix 10 Wireless benefits from an array of easily accessible front panel jacks that enhance the versatility and usefulness of this generously equipped mixer. Topping off the feature list is a channel dedicated to receiving the stereo playback from any Bluetooth device. The MultiMix 10 Wireless is a new breed of rack mount mixer.

ALL ARE WELCOME

The MultiMix 10 Wireless provides a wealth of inputs to accommodate nearly any audio input. Channels 1-4 are ideal for vocals or acoustically mic’ed instruments, direct boxes, and more. Each provides an XLR mic input with available phantom power; a balanced 1/4" TRS line input, plus a TRS 1/4" insert jack for incorporating additional effects or working with a second mixer. Channels 5-8 have been set as stereo pairs, offering 1/4" left and right inputs. These channels are ideal for stereo sources such as a keyboard, electronic drum set, drum machine, external mixer, etc. Channels 7-8 also provide left and right RCA inputs.

WIRELESS WONDER

Stream a stereo audio signal from any Bluetooth device to Channels 9-10 of the MultiMix 10 Wireless. Single-button pairing keeps it simple. Now you can easily play music between sets, stream audio from a computer during a multimedia presentation, or even play a track from a patron’s smartphone for satisfying that “special request.” The articulating Bluetooth antenna delivers optimum reception.

JACK ATTACK!

An additional set of front panel jacks go above and beyond what most rack mixers offer to set your new MultiMix 10 Wireless mixer apart form the crowd in both convenience and functionality. No more snaking cables from front to back; no more reaching around and guessing; no more un-mounting the mixer to get at the jacks you need. To begin with, Channels 1 and 2 are equipped with XLR+1/4" combo inputs that override the rear jacks. Simply plug in a mic for making house announcements, adding a new source, patching in a sampler, or whatever you need. The stereo 1/8" external input allows instant access to the dedicated Bluetooth channel, providing a quick way to add in any stereo, handheld, or mobile device. Finally, the stereo 1/8" front panel output provides the master output signal—taken before the master fader—to deliver an efficient way to capture and record a live mix.

MAXIMUM MIXING

Using the MultiMix 10 Wireless is easy and intuitive. Each single and stereo-paired channel offers a trim knob, peak LED, and a smooth-travelling 60mm fader for attaining the best signal level. In addition, there is a two-band EQ and pan for shaping the sound and creating a great mix. There are two aux send knobs per channel for creating a separate monitor mix, using an external global effect, etc. Aux 1 is set to pre-fader and Aux 2 is post-fader for maximum versatility.

Dual multi-segment LED meters and a Master output fader allow you to easily monitor and control your levels. Left and right main outputs are equipped with balanced 1/4" TRS jacks—ideal for extended cable runs. The left and right monitor outs provide unbalanced 1/4" jacks. There is a separate headphone output on the front panel, with a dedicated volume control.

Features:

• Convenient front panel jacks add versatility
• Space-saving 3U rackmount design is perfect for venues and mobile rigs
• Bluetooth streaming with simple single-button pairing
• Articulating Bluetooth antenna for optimum reception
• 4 high-gain mic/line preamps with inserts
• 2-band high and low shelving EQ on every channel ?
• Pre-fader and post-fader aux sends; stereo aux return

Specifications:

• INPUTS:
  • Channels 1-4 (mono):
    • Mic: XLR with switchable phantom power
    • Line: 1/4" Mono
    • Insert: 1/4" TRS
    • Front: XLR+1/4" combo jacks (Channels 1 and 2 only—overrides rear jacks)
  • Channels 5-6 (stereo pair):
    • Line: 1/4" Left, Right
  • Channels 7-8 (stereo pair):
    • Line: 1/4" Left, Right
    • RCA: Left, Right
  • Channels 9-10 (stereo pair):
    • Bluetooth: Stereo Streaming In
    • Ext: 1/8" Stereo (front panel)
    • Aux Return: 1/4" TRS Balanced Left, Right
      
      
• OUTPUTS:
  • Main: 1/4" TRS Balanced Left, Right
  • Monitor: 1/4" Left, Right
  • Aux Send 1: 1/4"
  • Aux Send 2: 1/4"
  • Headphones: Stereo 1/4"
  • Ext: 1/8" Stereo (front panel)
    
    
• DESIGN:
  • 3U Rackmount chassis
  • Detachable power cable

Item Includes:

• MultiMix 10 Wireless
• Power Supply
• Quickstart Guide
• Safety & Warranty Manual