Atomos
The 5-inch ZATO CONNECT is an easy-to-use gateway to ATOMOS Cloud Studio. Supports nearly all HDMI and USB UVC sources for livestreaming and video conferencing.
The first all-in-one device for HDR monitoring, RAW recording, and a connection to the world.
The new SHINOBI 7 takes the foundations of the original SHINOBI to the next level by offering a bigger, brighter screen and combined HDMI and SDI i/o. With a peak brightness of 2200nits, SHINOBI 7 provides accurate conversion of Log inputs for HDR monitoring, and can be used in the brightest of environments.
Zato Connect (ATOMZATC01)
ZATO CONNECT is the second fully integrated device in the CONNECT range and creates a whole new category of product for ATOMOS. The 5-inch ZATO CONNECT has been designed to be a compact, easy-to-use gateway to ATOMOS Cloud Studio. The device supports nearly all HDMI and USB UVC sources for livestreaming and video conferencing. The device features Wi-Fi 5 and Gigabit Ethernet (via USB-C) to ensure maximum network compatibility. Beyond streaming and cloud connectivity, ZATO CONNECT can be used to enhance web conferencing, via the addition of overlay graphics. The device will also convert HDMI sources to webcam signals, so they can be used with Microsoft Teams, WebEx, Slack, Skype, Discord, Zoom, and other conferencing software. AtomOS Lite software contains all the essential tools and makes the ZATO CONNECT extremely easy to setup and operate.
Key Features:
Now everyone can monitor, stream, and engage with social platforms and video conferencing ZATO CONNECT has been designed to act as a compact, easy-to-use gateway to ATOMOS Cloud Studio. The device supports nearly all HDMI and USB UVC sources to livestream to Facebook Live, Twitch, YouTube, and other social sites, or can be used to create a webcam source for Microsoft Teams, Slack, Zoom, and other conferencing software.
The implementation of the AtomOS Lite software provides an intuitive and easy-to-use experience for new customers. The software includes all the essential tools, so it feels familiar for existing customers too. With a compact form factor, the SuperAtom IPS 5-inch (1000nit) display, Wi-Fi 5, USB-C, and Ethernet (via USB-C adapter) connectivity, as well as, NP-F battery or USB-C PD power options, ZATO CONNECT is an ideal companion for livestreaming in the field, the studio, or wherever else it travels.
Livestreaming and high-quality video conferencing is made easy and accessible with ZATO CONNECT. With support for HDMI and USB UVC cameras or video sources, the device is equipped with Wi-Fi 5, Gigabit Ethernet (via USB-C), and the ability to join cellular hotspots, everyone can stream to Facebook Live, Twitch, and YouTube, or create high-quality video for Microsoft Teams, Slack, and Zoom from anywhere.
Anyone can setup a livestream (using ATOMOS Cloud Studio) and create high-value video content with the easy-to-use ZATO CONNECT. The 5-inch touchscreen display can be used to switch between sources and monitor the outgoing program stream. The device is compact enough to mount on a DSLR or mirrorless camera rig. It’s equally at home next to a PC, Mac computer, or gaming console. Streaming has never been easier and ZATO CONNECT is the ideal, all-in-one solution.
While incredibly compact, the ZATO CONNECT lives up to its name. Featuring input and output ports for both HDMI and USB UVC, the device can transform the output from a wide array of video equipment into a livestream or webcam source. The 3.5mm audio jack can also be used to add microphone or line sources and the ZATO CONNECT can be used to mix them with embedded audio from HDMI or USB UVC.
Each livestream can be recorded as local H.264 backup to an SD card. With the ability to combine recorded sources with live content, it’s possible to take one of these recordings and stream the content “as live” with ZATO CONNECT. This opens lots of creative opportunities and adds value to any stream or video presentation.
ZATO CONNECT includes an audio mixer, which can be used to adjust and combine audio signals from the 3.5mm analog input with the embedded audio from HDMI and USB UVC sources. Each channel can be adjusted independently and mixed down to a single stereo track for a livestream, recording, or video presentation.
Whether it’s configuring streams, switching between sources, recording, playback, mixing audio, or adding effects, AtomOS Lite on the ZATO CONNECT makes it all a breeze. The software features a number of key tools including overlay effects, image zoom, and frame guides that will help add value to every stream or video conference.
Whether through a livestream or virtual meeting, video has become an everyday part of all our lives. Today businesses, influencers, entrepreneurs, houses of worship, and educators all use video to establish an identity or reinforce a brand. Compelling content can make a difference and help emphasize branding, core messages, or even empower sponsorship opportunities. Applying graphic overlays to streams or watermarking recorded content is easy with ZATO CONNECT.
Perfect In Combination With...
Any HDMI and USB UVC cameras or video sources ready to livestream to Facebook Live, Twitch, YouTube, and other social sites, or to create a webcam source for Microsoft Teams, Slack, Zoom, and other conferencing software.
Perfect For...
Key Features:
- Livestream directly to Facebook Live, Twitch, YouTube, and more
- Transform HDMI and mirrorless cameras with plug-and-play UVC webcam out for meetings and presentations in Microsoft Teams, Skype, Slack, Zoom, and many others
- Connect almost any HDMI device up to 1080p60 or any USB webcam at up to 1080p30
- Mix audio levels from HDMI camera input, USB webcam & external mic/line inputs
- Add custom PNG overlay graphics to create lower thirds, logos, and watermarks
- Monitor Assist features including zoom 2x, 9 grid and extensive frame guides
- Stream, record, and output your program simultaneously, to get your content online without limitation
- Playback pre-recorded content “as live” via network streaming, UVC webcam, HDMI, or all at the same time
- 5-inch full HD, SuperAtom (1000nit) display for great visibility in even the brightest of locations
- Wi-Fi 5 and 1Gbe Ethernet (via included USB-C adapter) to share your work with the world
Now everyone can monitor, stream, and engage with social platforms and video conferencing ZATO CONNECT has been designed to act as a compact, easy-to-use gateway to ATOMOS Cloud Studio. The device supports nearly all HDMI and USB UVC sources to livestream to Facebook Live, Twitch, YouTube, and other social sites, or can be used to create a webcam source for Microsoft Teams, Slack, Zoom, and other conferencing software.
The implementation of the AtomOS Lite software provides an intuitive and easy-to-use experience for new customers. The software includes all the essential tools, so it feels familiar for existing customers too. With a compact form factor, the SuperAtom IPS 5-inch (1000nit) display, Wi-Fi 5, USB-C, and Ethernet (via USB-C adapter) connectivity, as well as, NP-F battery or USB-C PD power options, ZATO CONNECT is an ideal companion for livestreaming in the field, the studio, or wherever else it travels.
Stream From Anywhere
Livestreaming and high-quality video conferencing is made easy and accessible with ZATO CONNECT. With support for HDMI and USB UVC cameras or video sources, the device is equipped with Wi-Fi 5, Gigabit Ethernet (via USB-C), and the ability to join cellular hotspots, everyone can stream to Facebook Live, Twitch, and YouTube, or create high-quality video for Microsoft Teams, Slack, and Zoom from anywhere.
Streaming Simplified
Anyone can setup a livestream (using ATOMOS Cloud Studio) and create high-value video content with the easy-to-use ZATO CONNECT. The 5-inch touchscreen display can be used to switch between sources and monitor the outgoing program stream. The device is compact enough to mount on a DSLR or mirrorless camera rig. It’s equally at home next to a PC, Mac computer, or gaming console. Streaming has never been easier and ZATO CONNECT is the ideal, all-in-one solution.
Comprehensive I/O
While incredibly compact, the ZATO CONNECT lives up to its name. Featuring input and output ports for both HDMI and USB UVC, the device can transform the output from a wide array of video equipment into a livestream or webcam source. The 3.5mm audio jack can also be used to add microphone or line sources and the ZATO CONNECT can be used to mix them with embedded audio from HDMI or USB UVC.
Go Live or As Live!
Each livestream can be recorded as local H.264 backup to an SD card. With the ability to combine recorded sources with live content, it’s possible to take one of these recordings and stream the content “as live” with ZATO CONNECT. This opens lots of creative opportunities and adds value to any stream or video presentation.
Get your Audio in the Mix
ZATO CONNECT includes an audio mixer, which can be used to adjust and combine audio signals from the 3.5mm analog input with the embedded audio from HDMI and USB UVC sources. Each channel can be adjusted independently and mixed down to a single stereo track for a livestream, recording, or video presentation.
An Essential Toolkit
Whether it’s configuring streams, switching between sources, recording, playback, mixing audio, or adding effects, AtomOS Lite on the ZATO CONNECT makes it all a breeze. The software features a number of key tools including overlay effects, image zoom, and frame guides that will help add value to every stream or video conference.
Create an Identity
Whether through a livestream or virtual meeting, video has become an everyday part of all our lives. Today businesses, influencers, entrepreneurs, houses of worship, and educators all use video to establish an identity or reinforce a brand. Compelling content can make a difference and help emphasize branding, core messages, or even empower sponsorship opportunities. Applying graphic overlays to streams or watermarking recorded content is easy with ZATO CONNECT.
Perfect In Combination With...
Any HDMI and USB UVC cameras or video sources ready to livestream to Facebook Live, Twitch, YouTube, and other social sites, or to create a webcam source for Microsoft Teams, Slack, Zoom, and other conferencing software.
Perfect For...
- Influencers
- Vloggers
- YouTubers
- Education / Students
- Corporate / Entrepreneurs
- House of Worship
- Conferences / Events
The 5-inch ZATO CONNECT is an easy-to-use gateway to ATOMOS Cloud Studio. Supports nearly all HDMI and USB UVC sources for livestreaming and video conferencing.
Atomos Ninja V (ATOMNJVPL1)
The Ninja V is the next stage in the evolution of the multi-award winning Atomos Ninja, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from it’s little brother, Ninja V.
With the ability to capture in 8Kp30 and 4Kp120, the Ninja V allows you to stay ahead of the game and ensure that you have the flexibility to grow your system as projects demand. Future proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently and technology is advancing at an incredible pace.
The Ninja V takes advantage of the new Atomos Silicon chip, the AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.
Open standard formats from every camera
Apple ProRes is the world’s Pro Video standard for Video and RAW capture, and the number of cameras which support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes, giving filmmakers enormous latitude when adjusting the look of their images, making it an ideal solution for HDR workflows.
The Ninja V also captures up to 4Kp60 in 10-bit 4:2:2 from almost every camera manufacturer, like Panasonic, Nikon, Olympus, Leica, Fujifilm, Z Cam, RED and ARRI. It also builds upon the great workflow and versatility of Ninja V, that unites the world’s leading camera manufacturers and the industry standard editing software for our customers.
The Ninja Solution
Smaller cameras are incredibly capable these days, but they can still be limited in terms of battery life when recording RAW and high frame rates, use expensive internal media and can have recording limits. The Ninja V provides a solution to these issues with longer recording times, professional power solutions and affordable SSD media options. In addition, you get a stunningly bright 5.2” monitor with an astounding 1000nits – 10.5 stops of HDR, plus a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas and Cine Guides. Our AtomHDR engine also processes the incoming Log/RAW/HDR signals from your camera or device and displays in all its glory on the HDR screen of the Ninja V .
8K Resolution Revolution
Ready for the future Starting with the Canon R5
The Ninja V will record 8Kp30 ProRes RAW from the Canon EOS R5 mirrorless camera via a standard HDMI 2.0 connection. Atomos and Canon have worked together for the past 2 years to bring customers a world first for capturing stunning 8K RAW and HDR images with incredible clarity and detail in a compact and configurable system that is very affordable when compared with other 8K setups. The possibilities you have when shooting in 8K are a true game changer. Canon and Atomos have democratized 8K for the masses with no compromise in quality. Coming later in 2021 with an update from Canon.
More power. Less weight.
Pairing the Ninja V with the Canon R5 gives you a powerful yet compact 8K camera package that fits in your hands and can be flexibly built out to suit your needs. It can become the basis of a compact cinema rig or you can easily create a lightweight setup. The Canon R5 with a 24mm Cine Lens, Ninja V , NPF battery and media comes in under 3KG/7lb, which can be easily carried by a wide range of aerial drones, gimbals and stabilizers as well as vehicles and robot arms.
Resolution means creative flexibility
With the broad canvas of 8K resolution, your options for creative crops into a region of interest allow you to extract multiple 4K shots from a single camera angle. This allows you to create additional shots for cutaways to break up the edit, that are much higher resolution than if the shots were extracted from a single 4K source.
You can also create multiple high-resolution vertical or square crops in regions of interest in post for social media, which can also be previewed on the Ninja V with social media frame guides. This allows you to maximize the camera’s resolution to achieve 4K 9:16 vertical aspect ratios without having to compromise the way you shoot for mainstream delivery.
Stabilise without compromise
The incredible resolution of 8K video means that even after cropping into the image as part of the stabilization process, the final shot will likely still have a resolution of 4K or even 6K. This means that it can integrate with your other 8K footage on the timeline, and still look great.
Razor sharp screenshots
High resolution screenshots from 8K full frame cameras also offer the ability to create scene plates for small scale virtual production stages or use in other content platforms.
Pristine 4Kp120 ProRes RAW with SONY and Z CAM
The Ninja V allows you to capture content at up to 4Kp120 in pristine ProRes RAW for high frame rate video that has exceptional image quality. This is a great alternative to using the internal compressed codecs on your camera for high frame rate recording, as they can apply higher levels of colour compression and subsampling, leading to potential artifacts or limitation in the edit/grade.
See the unseen
Capture and visualize the unseen with 4Kp120 recording at up to ProRes RAW from the Ninja V and Sony FX6/FX9 and Z CAM E2 /E2-M4 models, with more models to follow. Fully harness the dynamic range of the sensor, capture every aspect of motion and movement directly via RAW over SDI* or HDMI. Add to this the benefit of being able to play back the high frame rate video captured on the Ninja V at various play back speeds to preview the adjustments you can make on your NLE timeline. See the Ninja V Pro Kit section for information on capturing 4Kp120 ProRes RAW from the SDI RAW output of the Sony FX9* and Sony FX6*.
*The FX9 requires the XDCA-FX9 Extension unit and both the FX6 and FX9 require the AtomX SDI module with RAW activation (or the Pro Kit).
An incredible codec arsenal
With the flexibility of providing options for RAW, visually lossless edit ready files, and proxy/sharable files, you have the ability to scale your needs for quality and file size.
Stream. Share. Create.
Included in the codec arsenal is the ability to record video inputs using the 10-bit H.265 (HEVC) codec, for compressed recordings that combine excellent image quality with a small file size. This is a very powerful combination for the world we now live in, where streaming and sharing online has dramatically increased, as the small file size will make the uploading process very fast.
When there is no time or budget for color grading, you can ‘bake in’ Rec. 709 or a custom LUT into the H.265 files so that they already have contrast and saturation applied and share or deliver your files immediately after a shoot. H.265 is also an excellent option for recording high quality proxy files in an ARRI or RED SDI workflow using the AtomX SDI module or the Pro Kit. The proxy files will have the same filename as the RAW files being recorded internally on the camera, to facilitate the proxy workflow in post-production.
Capture your vision
Harnessing the power of the Atomos Silicon AtomIC3, the latest in silicon chip technology, the Ninja V is a premium Ninja that has plenty of grunt for the increased resolutions and frame rates from selected cameras, and also supports all of the cameras that are compatible with the Ninja V as listed on www.atomos.com.
ProRes RAW
The number of cameras which support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. This format gives filmmakers enormous latitude when adjusting the look of their images, making it ideal for HDR workflows.
To see which cameras are compatible with ProRes RAW visit www.atomos.com/prores-raw.
AtomX Modules
Upgrade. Connect. Expand.
AtomX Expansion modules attach to the Expansion Slot on your Ninja V and provide additional connections and functionality. The extra horsepower from the Atomos Silicon AtomIC3 chip also allows you to add other ‘plus’ features when combined with upcoming AtomX modules and future Atomos products.
AtomX SDI
Upgrade your Connection options
The AtomX SDI Expansion Module locks into place via the modular expansion slot and adds the quality and convenience of SDI connectivity to your Ninja V , which allows you to monitor and record SDI video up to 4Kp60 from a range of professional cameras and video sources. Adding SDI connections to your Ninja more than doubles it’s I/O functionality as both HDMI and SDI connections can be cross converted, and you have options for DCI crop and 4K to HD down conversion to provide a bridge between equipment such as EVFs and wireless TX/RX without the need for additional converters.
HDMI / SDI: Cross Conversion
When an AtomX SDI Expansion module is attached to your Ninja V , you can cross convert HDMI and SDI signals, which means that you can convert from HDMI to SDI and from SDI to HDMI. You can also cross convert HDMI RAW signals to SDI, once your Ninja V has been activated for RAW over SDI at my.atomos.com. Where an SDI Video signal is connected to your AtomX SDI Expansion module, you can output an HDMI signal over the HDMI Out on your Ninja V .
RAW over SDI: RAW versatility
Ninja V owners can also benefit from the ability to record RAW over SDI with compatible cameras using the AtomX SDI Module and additional $99 SDI RAW upgrade. The Activation Key for SDI RAW and HDMI RAW to SDI Video can be added at any time and is available to purchase via your my.atomos.com account.
These features bring even more versatility to the Ninja V , providing professional I/O options for a multitude of cameras – from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Read more about how the RAW over SDI activation can expand your RAW eco-system and provide new and reliable solutions for all on-set and multicam productions in the Ninja V Pro Kit section.
AtomX SYNC
Making multi-camera mainstream
You no longer need a huge budget or a highly skilled editor to produce perfectly synchronized, multicamera video. The AtomX SYNC module brings wireless timecode, sync and control technology to the Ninja V , and you can connect multiple AtomX SYNC enabled Ninja V units to create a Timecode Systems powered multi-camera sync network. Remotely trigger frame accurate record start/stop recording, monitor, battery and disk capacity information from the SYNC server configured Ninja V .
Media
Flexible. Affordable. Fast.
Affordability, accessibility and choice allows users to select recording media to meet their needs. High resolution and high frame rates require sustained media performance, which we have achieved through our ongoing developments with both codecs and data handling. The AtomX SSDmini offers a native fit and will support up to 8K30p and 4K120p.
Ninja V
The next level
The incredibly powerful Ninja V delivers up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW and allows you to stay ahead of the game.
Description
The world’s first 8K RAW HDR monitor recorderThe Ninja V is the next stage in the evolution of the multi-award winning Atomos Ninja, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from it’s little brother, Ninja V.
With the ability to capture in 8Kp30 and 4Kp120, the Ninja V allows you to stay ahead of the game and ensure that you have the flexibility to grow your system as projects demand. Future proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently and technology is advancing at an incredible pace.
The Ninja V takes advantage of the new Atomos Silicon chip, the AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.
Open standard formats from every camera
Apple ProRes is the world’s Pro Video standard for Video and RAW capture, and the number of cameras which support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes, giving filmmakers enormous latitude when adjusting the look of their images, making it an ideal solution for HDR workflows.
The Ninja V also captures up to 4Kp60 in 10-bit 4:2:2 from almost every camera manufacturer, like Panasonic, Nikon, Olympus, Leica, Fujifilm, Z Cam, RED and ARRI. It also builds upon the great workflow and versatility of Ninja V, that unites the world’s leading camera manufacturers and the industry standard editing software for our customers.
The Ninja Solution
Smaller cameras are incredibly capable these days, but they can still be limited in terms of battery life when recording RAW and high frame rates, use expensive internal media and can have recording limits. The Ninja V provides a solution to these issues with longer recording times, professional power solutions and affordable SSD media options. In addition, you get a stunningly bright 5.2” monitor with an astounding 1000nits – 10.5 stops of HDR, plus a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas and Cine Guides. Our AtomHDR engine also processes the incoming Log/RAW/HDR signals from your camera or device and displays in all its glory on the HDR screen of the Ninja V .
8K Resolution Revolution
Ready for the future Starting with the Canon R5
The Ninja V will record 8Kp30 ProRes RAW from the Canon EOS R5 mirrorless camera via a standard HDMI 2.0 connection. Atomos and Canon have worked together for the past 2 years to bring customers a world first for capturing stunning 8K RAW and HDR images with incredible clarity and detail in a compact and configurable system that is very affordable when compared with other 8K setups. The possibilities you have when shooting in 8K are a true game changer. Canon and Atomos have democratized 8K for the masses with no compromise in quality. Coming later in 2021 with an update from Canon.
More power. Less weight.
Pairing the Ninja V with the Canon R5 gives you a powerful yet compact 8K camera package that fits in your hands and can be flexibly built out to suit your needs. It can become the basis of a compact cinema rig or you can easily create a lightweight setup. The Canon R5 with a 24mm Cine Lens, Ninja V , NPF battery and media comes in under 3KG/7lb, which can be easily carried by a wide range of aerial drones, gimbals and stabilizers as well as vehicles and robot arms.
Resolution means creative flexibility
With the broad canvas of 8K resolution, your options for creative crops into a region of interest allow you to extract multiple 4K shots from a single camera angle. This allows you to create additional shots for cutaways to break up the edit, that are much higher resolution than if the shots were extracted from a single 4K source.
You can also create multiple high-resolution vertical or square crops in regions of interest in post for social media, which can also be previewed on the Ninja V with social media frame guides. This allows you to maximize the camera’s resolution to achieve 4K 9:16 vertical aspect ratios without having to compromise the way you shoot for mainstream delivery.
Stabilise without compromise
The incredible resolution of 8K video means that even after cropping into the image as part of the stabilization process, the final shot will likely still have a resolution of 4K or even 6K. This means that it can integrate with your other 8K footage on the timeline, and still look great.
Razor sharp screenshots
High resolution screenshots from 8K full frame cameras also offer the ability to create scene plates for small scale virtual production stages or use in other content platforms.
Pristine 4Kp120 ProRes RAW with SONY and Z CAM
The Ninja V allows you to capture content at up to 4Kp120 in pristine ProRes RAW for high frame rate video that has exceptional image quality. This is a great alternative to using the internal compressed codecs on your camera for high frame rate recording, as they can apply higher levels of colour compression and subsampling, leading to potential artifacts or limitation in the edit/grade.
See the unseen
Capture and visualize the unseen with 4Kp120 recording at up to ProRes RAW from the Ninja V and Sony FX6/FX9 and Z CAM E2 /E2-M4 models, with more models to follow. Fully harness the dynamic range of the sensor, capture every aspect of motion and movement directly via RAW over SDI* or HDMI. Add to this the benefit of being able to play back the high frame rate video captured on the Ninja V at various play back speeds to preview the adjustments you can make on your NLE timeline. See the Ninja V Pro Kit section for information on capturing 4Kp120 ProRes RAW from the SDI RAW output of the Sony FX9* and Sony FX6*.
*The FX9 requires the XDCA-FX9 Extension unit and both the FX6 and FX9 require the AtomX SDI module with RAW activation (or the Pro Kit).
An incredible codec arsenal
With the flexibility of providing options for RAW, visually lossless edit ready files, and proxy/sharable files, you have the ability to scale your needs for quality and file size.
- Apple ProRes RAW – supporting 16bit RAW outputs from camera via HDMI and optionally via SDI
- Apple ProRes – An industry standard edit-ready codec from Apple with scalable levels of compression.
- Avid DNx – An industry standard edit-ready codec for Avid editors with scalable levels of compression.
- H.265 (HEVC) – The highly efficient compressed codec allows you to create high-quality files with a low bit rate and small file size for sharing. You can also create 4K HDR 10-bit deliverables and have the option to ‘bake in’ LUTs to achieve the final pixel LOOK without the need to grade the footage.
H.265 High Quality. Small Size.
Stream. Share. Create.
Included in the codec arsenal is the ability to record video inputs using the 10-bit H.265 (HEVC) codec, for compressed recordings that combine excellent image quality with a small file size. This is a very powerful combination for the world we now live in, where streaming and sharing online has dramatically increased, as the small file size will make the uploading process very fast.
When there is no time or budget for color grading, you can ‘bake in’ Rec. 709 or a custom LUT into the H.265 files so that they already have contrast and saturation applied and share or deliver your files immediately after a shoot. H.265 is also an excellent option for recording high quality proxy files in an ARRI or RED SDI workflow using the AtomX SDI module or the Pro Kit. The proxy files will have the same filename as the RAW files being recorded internally on the camera, to facilitate the proxy workflow in post-production.
Capture your vision
Harnessing the power of the Atomos Silicon AtomIC3, the latest in silicon chip technology, the Ninja V is a premium Ninja that has plenty of grunt for the increased resolutions and frame rates from selected cameras, and also supports all of the cameras that are compatible with the Ninja V as listed on www.atomos.com.
ProRes RAW
The number of cameras which support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. This format gives filmmakers enormous latitude when adjusting the look of their images, making it ideal for HDR workflows.
To see which cameras are compatible with ProRes RAW visit www.atomos.com/prores-raw.
AtomX Modules
Upgrade. Connect. Expand.
AtomX Expansion modules attach to the Expansion Slot on your Ninja V and provide additional connections and functionality. The extra horsepower from the Atomos Silicon AtomIC3 chip also allows you to add other ‘plus’ features when combined with upcoming AtomX modules and future Atomos products.
AtomX SDI
Upgrade your Connection options
The AtomX SDI Expansion Module locks into place via the modular expansion slot and adds the quality and convenience of SDI connectivity to your Ninja V , which allows you to monitor and record SDI video up to 4Kp60 from a range of professional cameras and video sources. Adding SDI connections to your Ninja more than doubles it’s I/O functionality as both HDMI and SDI connections can be cross converted, and you have options for DCI crop and 4K to HD down conversion to provide a bridge between equipment such as EVFs and wireless TX/RX without the need for additional converters.
HDMI / SDI: Cross Conversion
When an AtomX SDI Expansion module is attached to your Ninja V , you can cross convert HDMI and SDI signals, which means that you can convert from HDMI to SDI and from SDI to HDMI. You can also cross convert HDMI RAW signals to SDI, once your Ninja V has been activated for RAW over SDI at my.atomos.com. Where an SDI Video signal is connected to your AtomX SDI Expansion module, you can output an HDMI signal over the HDMI Out on your Ninja V .
RAW over SDI: RAW versatility
Ninja V owners can also benefit from the ability to record RAW over SDI with compatible cameras using the AtomX SDI Module and additional $99 SDI RAW upgrade. The Activation Key for SDI RAW and HDMI RAW to SDI Video can be added at any time and is available to purchase via your my.atomos.com account.
These features bring even more versatility to the Ninja V , providing professional I/O options for a multitude of cameras – from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Read more about how the RAW over SDI activation can expand your RAW eco-system and provide new and reliable solutions for all on-set and multicam productions in the Ninja V Pro Kit section.
AtomX SYNC
Making multi-camera mainstream
You no longer need a huge budget or a highly skilled editor to produce perfectly synchronized, multicamera video. The AtomX SYNC module brings wireless timecode, sync and control technology to the Ninja V , and you can connect multiple AtomX SYNC enabled Ninja V units to create a Timecode Systems powered multi-camera sync network. Remotely trigger frame accurate record start/stop recording, monitor, battery and disk capacity information from the SYNC server configured Ninja V .
Media
Flexible. Affordable. Fast.
Affordability, accessibility and choice allows users to select recording media to meet their needs. High resolution and high frame rates require sustained media performance, which we have achieved through our ongoing developments with both codecs and data handling. The AtomX SSDmini offers a native fit and will support up to 8K30p and 4K120p.
Ninja V
The next level
The incredibly powerful Ninja V delivers up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW and allows you to stay ahead of the game.
Specifications
Physical Specifications
- Dimensions (W x H x D mm): 151 x 91.5 x 31 mm
- Weight: 360 g / 12.7 oz
- Mount points: 1 x Anti rotation 1/4" / 3/8 top and bottom
Environmental
- Ambient operating temperature: Up to 40 Degrees Celsius
Construction and Control
- Body: Aluminium with ABS plastic
- Cooling: Actively controlled fan and Heat Sink
- Tally light: Rear and front
- Multi-function button: Power / lock Screen
- AtomXpansion slot: Yes
Power
- Input voltage: 6.2V to 16.8V
- Operating power: 5.8-7.2v
- Compatible batteries: NPF L series
- Built in battery: No
- Battery Run time (Record): 5200mAh - up to 2hrs (monitor & record 4K 60p)
- Continuous power: Via Optional AtomX SYNC Module
- DC in connector: Via DC Jack on Battery eliminator
- Dtap: Via Battery Eliminator and optional DTap to DC cable
Display
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: 5.2"
- Resolution: 1920 x 1080
- PPI: 427
- Bit depth: 10Bit (8 2 FRC)
- Backlight Type: Edge lit
- Brightness (cdm2 / nits): 1000 /- 10%
- Aspect ratio: 16 : 9
- De-interlace mode: I > P and PSF > P
- Color Gamut: Rec.709
- Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log
- Gamut: Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3 / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- 3D LUT Display: .Cube Format
- 3D LUT Down Stream: Loop out
- 3DLUT 50/50: Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR output Conversion: Log / HDR to HLG / PQ / Dolby Vision
Video Input
- HDMI: 1 x HDMI (2.0) 4k p60
- HDMI RAW: Apples ProRes RAW up to 8k
- SDI: Optional via AtomX SDI module
- SDI RAW: Optional Activation Key required
- Bit Depth: 8/10Bit Video / RAW up to 12Bit
- Video Chroma Subsampling: 420 and 422
- HDCP copy protection: Not supported
Metadata
- HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
- SDI: Optional via AtomX SDI module
Video Output
- HDMIL: 1 x HDMI (2.0) 4k p60
- SDI loop out: Optional Via AtomX SDI module
- SDI Play out: Optional Via AtomX SDI module
- Video Chroma Subsampling: 422
- Bit Depth: 10Bit Video
Web Streaming
- USB UVC: Optional Via Connect 4k
Video Signal Conversion
- HDMI to SDI: Optional Via AtomX SDI module
- SDI to HDMI: Optional Via AtomX SDI module
Audio In/Out
- Audio Quality: 24/48kHz
- Audio Codec: PCM
- HDMI: 8ch 24Bit, input dependent
- SDI: 12ch 24Bit, input dependent
- Analogue Audio in: 3.5mm 2ch.
- Analogue Audio Out: 3.5mm 2ch.
- Headphone out: 3.5mm 2ch.
Timecode / Sync
- Embedded: HDMI
- Time of day: Yes, Time and Date
- LTC: via 3.5mm audio Jack input (Requires post processing)
- Wireless SYNC: Via Optional AtomX SYNC Module
Resolution and Frame Rates (Record, Monitor & Playback)
- 8k: RAW Only up to 30p via HDMI
- 6k: RAW Only up to 30p via HDMI
- 5k: RAW Only up to 30p via HDMI
- 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p - HFR 100/120 via RAW over HDMI & SDI on selected cameras
- 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
- 2K DCI 2046 x 1080: Optional via AtomX SDI module
- Anamorphic: 3.5k: RAW up to 60p (from supported cameras only)
- FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
- FHD 1920 x 1080 PsF: converted to P and looped out PsF
- FHD 1920 x 1080 Interlaced: 50/59.94/60i
- 1280 x 720p: 50/59.94/60p
Recording CODEC
- Apple ProRes RAW: ProRes RAW, HQ (Free activation key via visit my.Atomos.com)
- Apple ProRes: LT, 422, 422HQ
- Avid DNxHD: DNxHD 220x,220,145,36 (Free activation key via visit my.Atomos.com)
- Avid DNxHR: LB, SQ, HQ, HQX. (Free activation key via visit my.Atomos.com)
- H.265: LQ,MQ,HQ in 8/10Bit, 422 and 420 Free activation key via visit my.Atomos.com)
Playback
- Playlist: Yes, Create customer play lists from full or sub clips
- Loop: Yes, with user customisable in / out markers
- Apple ProRes Raw: Yes, recorded clips
- Apple ProRes: Yes, with Linear PCM audio
- Avid DNx: Yes, with Linear PCM audio
- H.265: Yes, recorded clips
Recording functions
- Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
- Timelapse: Yes
Supported media
- Master Caddy I: Not compatible
- SSDmini: Native Size and Fit
- CFast II: Via Supported cards via optional SSDmini CFAST II Adaptor
- File Naming: Unit Name - Scene/Shot/Take
- File System: ExFAT
On screen tools
- Waveform: Yes, 3 size / Position
- RGB parade: Yes, 3 size / Position
- Vector scope: Yes, 2 size / Position
- 1 x Zoom:Yes. 1:1 Pixel mapping for 4k
- 2 x Zoom:Yes
- Focus peaking: Colour selected / threshold setting / colour
- False colour: Yes, with Scale
- Zebra: Yes, Adjustable
- Isolate color channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe areasAction and Graphic
- Grid markers: 9 grid
- Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical Only
Onboard Signal Processing
- Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
- 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
- DCI Crop: Loop out - 17:9 to 16:9 Crop
Remote control
- HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony
- SDI: SDI trigger camera selectable
- Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
- Bluetooth LE: Via optional AtomX SYNC module
- Wireless RF: Via optional AtomX SYNC module
External Device Control
- Serial 2.5mm Jack: Camera control for supported cameras via Optional USB to Serial Cable
- Bluetooth LE: Via optional AtomX SYNC module to compatible devices
- Wireless RF: Via optional AtomX SYNC module to compatible devices
Supported Applications
XML: Cut tag EDL in FCPX XML
Apple ProRes RAW: Apple FCPX, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs: All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Warranty
Standard: 1 year. Extended to 3 years on product registration
The world’s first 8K RAW HDR monitor recorder
SHOGUN CONNECT 7" Network-Connected HDR Video Monitor & Recorder 8kp30/4kp120 (ATOMSHGC01)
Description
SHOGUN CONNECT, the first all-in-one device for HDR monitoring, RAW recording, and a connection to the world.
The SHOGUN CONNECT builds on the ground-breaking SHOGUN product-line. Featuring a brighter screen and multiple recording options, the SHOGUN CONNECT is the first fully integrated product in the CONNECT range. It combines HDR monitoring, RAW recording, and cloud workflows. The SHOGUN CONNECT features a loop through 12G SDI IN and OUT interface with an option to activate SDI RAW and send a signal to multiple devices. ATOMOS AirGlu™ wireless timecode for seamlessly synchronizing all cameras, multiple power options to accommodate a variety of long range on-set scenarios, plus Wi-Fi 6, Gigabit Ethernet, Bluetooth LE, and USB C to ensure flexible, all-round connectivity. The SHOGUN CONNECT transforms professional cinema, mirrorless, and DSLR cameras into fully connected devices that support a range of advanced cloud-based workflows.
Stream from Anywhere
SHOGUN CONNECT supports livestreaming to a range of online services including, Facebook Live, Twitch, and YouTube. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, the SHOGUN CONNECT helps filmmakers, streamers and video content producers reach their audience from anywhere.
Collaboration for Everyone
SHOGUN CONNECT is a fully integrated Frame.io Camera to Cloud (C2C) device. Through support of HDMI and SDI equipped cameras, the device offers advanced online workflows and remote collaboration to many more filmmakers, streamers, and video content creators. With Frame.io for Adobe Creative Cloud now part of the Creative Cloud subscription, even more filmmakers will have access to cloud-based workflows.
Dual Record
C2C brings the domains of production and post closer together, enabling new ways for remote teams to collaborate. The dual record feature of the SHOGUN CONNECT creates matching “hero” Apple ProRes, ProRes RAW, Avid DHxHR/HD and “proxy” HEVC (H.265) files simultaneously. Proxy files can also be uploaded during capture using ATOMOS progressive transfer technology so that these files are available in the cloud as soon as recording stops.
Bring Your Own Camera
The 7-inch SHOGUN CONNECT features a new, brighter HDR screen and comprehensive range of built-in interfaces including, loop through 12G SDI IN and OUT for SDI RAW and HDMI to support an expansive range of professional cinema, DSLR and mirrorless cameras. The device also features ATOMOS AirGlu™ technology which enables direct, long-range communication between devices and provides a wireless timecode lock.
CONNECT to the World
SHOGUN CONNECT enables filmmakers, streamers, and video content producers of every kind to record, monitor, and share their work with an audience from anywhere, easily, and seamlessly.
ATOMOS Cloud Studio
ATOMOS Cloud Studio is a collection of video production services, developed in partnership with MAVIS, which represents a radical innovation for all video creators, streamers, and filmmakers. Cloud Studio will launch in June 2022 with two new cloud-based live video production services for sharing and real-time collaboration. ATOMOS Capture to Cloud uploads files from ATOMOS network connected devices to cloud-based platforms, including Frame.io (an Adobe Company). ATOMOS Stream uses any ATOMOS network enabled device to live stream to popular platforms like Facebook Live, Twitch, YouTube, and more.
Key Features:
The SHOGUN CONNECT builds on the ground-breaking SHOGUN product-line. Featuring a brighter screen and multiple recording options, the SHOGUN CONNECT is the first fully integrated product in the CONNECT range. It combines HDR monitoring, RAW recording, and cloud workflows. The SHOGUN CONNECT features a loop through 12G SDI IN and OUT interface with an option to activate SDI RAW and send a signal to multiple devices. ATOMOS AirGlu™ wireless timecode for seamlessly synchronizing all cameras, multiple power options to accommodate a variety of long range on-set scenarios, plus Wi-Fi 6, Gigabit Ethernet, Bluetooth LE, and USB C to ensure flexible, all-round connectivity. The SHOGUN CONNECT transforms professional cinema, mirrorless, and DSLR cameras into fully connected devices that support a range of advanced cloud-based workflows.
Stream from Anywhere
SHOGUN CONNECT supports livestreaming to a range of online services including, Facebook Live, Twitch, and YouTube. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, the SHOGUN CONNECT helps filmmakers, streamers and video content producers reach their audience from anywhere.
Collaboration for Everyone
SHOGUN CONNECT is a fully integrated Frame.io Camera to Cloud (C2C) device. Through support of HDMI and SDI equipped cameras, the device offers advanced online workflows and remote collaboration to many more filmmakers, streamers, and video content creators. With Frame.io for Adobe Creative Cloud now part of the Creative Cloud subscription, even more filmmakers will have access to cloud-based workflows.
Dual Record
C2C brings the domains of production and post closer together, enabling new ways for remote teams to collaborate. The dual record feature of the SHOGUN CONNECT creates matching “hero” Apple ProRes, ProRes RAW, Avid DHxHR/HD and “proxy” HEVC (H.265) files simultaneously. Proxy files can also be uploaded during capture using ATOMOS progressive transfer technology so that these files are available in the cloud as soon as recording stops.
Bring Your Own Camera
The 7-inch SHOGUN CONNECT features a new, brighter HDR screen and comprehensive range of built-in interfaces including, loop through 12G SDI IN and OUT for SDI RAW and HDMI to support an expansive range of professional cinema, DSLR and mirrorless cameras. The device also features ATOMOS AirGlu™ technology which enables direct, long-range communication between devices and provides a wireless timecode lock.
CONNECT to the World
SHOGUN CONNECT enables filmmakers, streamers, and video content producers of every kind to record, monitor, and share their work with an audience from anywhere, easily, and seamlessly.
ATOMOS Cloud Studio
ATOMOS Cloud Studio is a collection of video production services, developed in partnership with MAVIS, which represents a radical innovation for all video creators, streamers, and filmmakers. Cloud Studio will launch in June 2022 with two new cloud-based live video production services for sharing and real-time collaboration. ATOMOS Capture to Cloud uploads files from ATOMOS network connected devices to cloud-based platforms, including Frame.io (an Adobe Company). ATOMOS Stream uses any ATOMOS network enabled device to live stream to popular platforms like Facebook Live, Twitch, YouTube, and more.
Key Features:
- 7" 2000nit monitor with built in video recording via HDMI and SDI up to 4Kp60
- Capture RAW via HDMI at up to 8Kp30 / 4Kp120 and via SDI at 6Kp60 and 4K120p to Apple ProRes RAW
- Simultaneous record of Hero ProRes RAW, ProRes or DNxHR/HD with matched H.265 Proxy
- 12G SDI IN with support for video 4K at up to 60fps, with option for SDI RAW 6Kp30, 4Kp120fps and 2Kp240 (limitations apply with dual record)
- Long range ATOMOS AirGlu™ sync technology for wireless timecode via RF and Bluetooth LE
- Wi-Fi 6 provides high performance wireless connection and mobile hotspot support for connection
- 1GbE Ethernet for high-speed robust hardwired network connection
- CONNECT to ATOMOS Cloud Studio services
- Livestream to Facebook Live, Twitch, YouTube, and more, directly from your network-connected device
- Bi-directional HDMI<=>SDI input conversion with simultaneous SDI & HDMI outputs
Specifications
Physical Specifications
Dimensions (W x H x D mm)
198mm x 133mm x 40mm / 7,8" x 5,2" x 1,57"
Weight
730g / 1.6lb (excluding batteries)
Mount points
Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points
Environmental
Ambient operating temperature
Up to 40 Degrees Celsius
Construction & Control
Body
Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling
Actively controlled fan and heat sink
Multi-function button
Power / lock Screen
Tally light
Yes
Power
Input voltage
6.2V to 16.8V
Compatible batteries
1 x NP-F / L-Series
Battery voltage
7.2V
DC in connector
Locking DC Jack (5.5mm OD & 2.1mm ID)
D-Tap
Via optional D-Tap to DC cable
Display
Touchscreen
SuperAtom IPS panel (capacitive touch)
Size
7”
Resolution
1920 x 1200
PPI
325
Bit depth
10-Bit (8+2 FRC)
Backlight Type
Edge lit
Brightness (cdm2 / Nits)
2000nit +/-10%
Aspect ratio
16:9 Image Display
Color Gamut
Rec.709
Calibration support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, RED LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log
Gamut
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format
3D LUT Output
Loop out
3DLUT 50/50
Yes
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR output Conversion
HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built in Technical Log to HDR EOTF
3D luts
Display, monitor and output, Record, Load via SSD
Legalize
Input
Video Input
HDMI
1 x HDMI 2.0
SDI
1 x 12G SDI
Bit Depth
8 / 10 bit
Video Chroma Subsampling
YCbCr 420 & 422
HDR
Yes with HDMI Auto detection
File Naming
Standard
S/S/T & Rolling
Via SDI
RED, ARRI
Video Output
HDMI
1 x HDMI 2.0
SDI loop out
1 x 12G SDI
HDR
Yes with Auto detection
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24Bit, input dependent
SDI
12ch 24Bit, input dependent
Analogue Audio in
3.5mm Jack - 5v power
Analogue Audio Out
3.5mm Jack
Headphone out
3.5mm Jack
Network
Ethernet
1GbE RJ45
Wi-fi
WI-FI 6
Wireless RF
AirGlu™ SYNC Time code Network
Cellular
Connect to Hot Spot via Wi-Fi
Web Streaming
RTMP
Yes
RTMP / S
Yes
Video Signal Conversion
HDMI to SDI
Yes
SDI to HDMI
Yes
Timecode / Sync
SDI Embedded
Embedded
HDMI Embedded
Embedded
Time of day
Yes
Wireless SYNC
AirGLu SYNC Time code Network Server or Client
RF Network range
300m
RF Frequency
Region dependant
Number of Channels
12 RF Channels per Region
Number of RF clients
100 clients
Bluetooth Network Range
10-15m (line of sight)
Number of BT clients
6 clients
LTC
Resolution & Frame Rates Maximum (Record, Monitor & Playback)
8k RAW
up to 8Kp30 Via HDMI
6k RAW
up to 6Kp60 Via HDMI & 6Kp30 SDI
4k RAW
up to 4Kp120 via HDMI / SDI
3.5k Anamorphic RAW
up to 3.5Kp60 via HDMI
2k RAW
up to 2Kp240 via SDI
4k DCI
up to 4Kp60
4k UHD
up to 4Kp60
2K DCI 2046 x 1080
up to 2Kp60
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Pull down
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
60p
Recording CODEC
Apple ProRes RAW
up to 12bit 8Kp30 / 4Kp120
ProRes HQ / 422 / LT
up to 4Kp60
Avid DNxHD
up to 1080p60
Avid DNxHR
up to 4Kp60
h.265
up to 4Kp60 (MOV container)
Primary Codec + Proxy Record
ProRes RAW, ProRes, DNx with H.265
Pre Roll
8 secs HD / 4 secs 4k ProRes & DNx
Timelapse
Yes
Gang control
SYNC record control
Playback
Playlist
Yes, Selected, Favourites or Combined
Loop Playback
Yes, with custom in and out points
Apple ProRes Raw
Yes, recorded clips
ProRes HQ / 422 / LT
Yes with linear PCM
Avid DNx HD
Yes with linear PCM
Avid DNx HR
Yes with linear PCM
H.265
Recorded clips
Monitoring
SDR
Native, 709, LUT
HDR
HLG, PQ Rec2020
De-Interlace
Selectable mode
Supported media
Interface
SATA 3 – MasterCaddy / SSDmini / CFast II (via adapter)
Master Caddy I
No
Master Caddy II
Yes
Master Caddy III
Yes
SSDmini
Yes
CFast II
Yes via AtomX CF adapter
File System
exFAT
On screen tools
Waveform
3 sizes
RGB parade
3 sizes
Vector scope
Small / large
1 x Zoom
Tap to zoom
2 x Zoom
Tap to zoom
Focus peaking
Coloured and slider for threshold
Zebra
Customisable
False color
With IRE scale
Isolate color channel
Blue only
Cine Frame Guides
Preset and Custom
Social Frame guides
Preset and Custom
Safe areas
SMPTE frame size – Action and Safe
Grid markers
9 grid
Frame Grab and Onion skin over lay
Lossless PNG 1920 x 1080
Anamorphic desqueeze
Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
Display Flip
vertical
Onboard Signal Processing
RAW to Video loop out
Yes, conversion from Larger Resolutions to 4k
4K UHD downscale for HD
Yes, menu enabled
DCI Crop
Yes, menu enabled
I > P
2:2 and 3:2
PSF > P
2:2 and 3:2
Remote control
Bluetooth LE
via AtomControl App
External Device Control
Serial 2.5mm Jack
Remote to USB – Z CAM
Supported Applications
XML – Cut, Tag & Edit
Final Cut Pro
Apple ProRes Raw
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
Apple ProRes
All Applications with support for Apple ProRes in .MOV wrapper
Avid DNx
All Applications with support for Avid DNX in .MOV wrapper
Warranty
Standard
1 Year
Extended
3 Years
Accessories included:
- SHOGUN CONNECT International Power supply
- 7" protective Pouch
- AtomX SSDmini Handle
- MasterCaddy III with screws
- Wifi Antenna with Black caps
- RF antenna, Antenna storage Pouch
- 3.5mm audio jack to jack cable
- Antenna coloured caps
- Antenna mount covers
- Screen Cloth
The first all-in-one device for HDR monitoring, RAW recording, and a connection to the world.
Shinobi 7 4K HDMI/SDI HDR Photo & Video Monitor (ATOMSHB002)
Shinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200Nits and the lightweight Monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60
via HDMI. An ideal directors' monitor, focus pullers' monitor, program or preview display for video switchers and perfect for vloggers presenting to camera.
Camera Controls at the Fingertips
Control camera functions with the intuitive touchscreen of the Shinobi 7, designed to give you fast access to the most crucial camera features. The optional Atomos USB-C to serial cable gives you direct control of all the menu configurations on Z Cam E2 series cameras, so that you can focus on the beautiful image and make dynamic adjustments of iris, white balance, shutter angle and ND.
HDR in the Field
Shinobi 7 screen displays a stunning 10+ stops of dynamic range in real time from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR.
Built in 3D LUT Box
In addition to Log to HDR conversions, you can also use your own custom LUTs to feed downstream or live feed. Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times.
The Best of AtomOS 10
Shinobi 7 utilizes the AtomOS 10 platform and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, 4:1 / 2:1 / 1:1 Zoom in, Zebra, False Color, Cine and social frame guides, SMPTE Safe Area,
Waveform, RGB parade, vectorscope, anamorphic de-squeeze.
Atomos ‘Analysis’ Mode
The Analysis feature allows you to see a waveform, histogram and vectorscope simultaneously whilst monitoring the image to ensure complete control of your image. You can even switch
between different waveform, histogram and vector scope options on the fly with a single touch
Continuous Power
Shinobi 7 was designed to optimize battery usage while monitoring, as the dual battery slots combine to allow you to run all day and easily hot-swap batteries. The dedicated locking
DC jack input allows you to connect to mains power on-set and can also be used with the optional DC to D-Tap cable for power in the field from block batteries.
Pro I/O and Cross Conversion
With both HDMI and SDI for input or output Shinobi 7 fits in to any production. With built in cross conversion and 4k to HD down conversion you can easily bring HDMI cameras in to SDI workflows with out the need for separate convertors.
Factory & User Calibration
Factory calibrated for Rec.709, Shinobi 7 also supports user calibration with X-Rite’s i1DisplayPro/Plus and free Atomos Calibration software, which automates the calibration of the
screen to ensure accurate and reliable HDR and Rec. 709 monitoring.
Description
BIG, Bright and BeautifulShinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200Nits and the lightweight Monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60
via HDMI. An ideal directors' monitor, focus pullers' monitor, program or preview display for video switchers and perfect for vloggers presenting to camera.
Camera Controls at the Fingertips
Control camera functions with the intuitive touchscreen of the Shinobi 7, designed to give you fast access to the most crucial camera features. The optional Atomos USB-C to serial cable gives you direct control of all the menu configurations on Z Cam E2 series cameras, so that you can focus on the beautiful image and make dynamic adjustments of iris, white balance, shutter angle and ND.
HDR in the Field
Shinobi 7 screen displays a stunning 10+ stops of dynamic range in real time from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR.
Built in 3D LUT Box
In addition to Log to HDR conversions, you can also use your own custom LUTs to feed downstream or live feed. Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times.
The Best of AtomOS 10
Shinobi 7 utilizes the AtomOS 10 platform and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, 4:1 / 2:1 / 1:1 Zoom in, Zebra, False Color, Cine and social frame guides, SMPTE Safe Area,
Waveform, RGB parade, vectorscope, anamorphic de-squeeze.
Atomos ‘Analysis’ Mode
The Analysis feature allows you to see a waveform, histogram and vectorscope simultaneously whilst monitoring the image to ensure complete control of your image. You can even switch
between different waveform, histogram and vector scope options on the fly with a single touch
Continuous Power
Shinobi 7 was designed to optimize battery usage while monitoring, as the dual battery slots combine to allow you to run all day and easily hot-swap batteries. The dedicated locking
DC jack input allows you to connect to mains power on-set and can also be used with the optional DC to D-Tap cable for power in the field from block batteries.
Pro I/O and Cross Conversion
With both HDMI and SDI for input or output Shinobi 7 fits in to any production. With built in cross conversion and 4k to HD down conversion you can easily bring HDMI cameras in to SDI workflows with out the need for separate convertors.
Factory & User Calibration
Factory calibrated for Rec.709, Shinobi 7 also supports user calibration with X-Rite’s i1DisplayPro/Plus and free Atomos Calibration software, which automates the calibration of the
screen to ensure accurate and reliable HDR and Rec. 709 monitoring.
Specifications
Physical Specifications
- Weight (Monitor Only): 577g / 1.04lb (excluding batteries)
- Dimensions (Monitor Only): 198mm x 133mm x 39mm
- Mount Points: 1 x Anti rotation 1/4" / 3/8 top and bottom
Construction
- Body: Polycarbonate ABS Plastic
- Cooling: Actively controlled fan and heat sink
- Multi-function Button: Power / lock screen
Power
- Input voltage (battery): 6.2V to 16.8V
- Battery Voltage: 7.2V
- Operating Power: 5.8-7.2V
- Compatible Batteries: 2 x NPF L series
- Battery Run Time: 5200mAh - up to 2hrs, 7800mAh - up to 3hrs
- DC In: Locking DC jack
- Continuous power: Dual battery slots
- DTAP: Via optional DTap to DC cable
Display
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: 7”
- Resolution: 1920 x 1200
- PPI: 325
- Bit Depth: 10-bit (8+2 FRC)
- Backlight: Edge lit
- Brightness (cdm2 /Nits): 2200 +/- 10%
- Aspect Ratio: 16:9 Image Display
- Color Gamut: Rec.709
- Calibration Support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Technology
- 3D LUT Display: .Cube Format
- 3D LUT Down: Stream Loop out - HD only
- 3D LUT: 50/50 Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR Output Conversion: HLG / PQ
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 /
LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280
/ LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ
(HDR10), HLG, Nikon N-Log, Olympus OM-Log, Lecia L-Log - Gamut:BT2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.
cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V
Gamut, Arri Alexa Wide Gamut
Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2
/ RedColor3 / RedColor4 / RedWideGamut
Video Input
- HDMI: 1 x HDMI (2.0) 4Kp60
- SDI: 1 x 3G SDI - 2k p60
- Bit: Depth 8 / 10-bit
- Video Chroma Subsampling: YCbCr 420 & 422
Video Output
- HDMI: 1 x HDMI (2.0) 4Kp60
- SDI (Play Out): 1 x 3G SDI - 2Kp60
Video Signal Conversion
- HDMI to SDI: Yes
- SDI to HDMI: Yes
Audio In/Out
- HDMI: 2ch 24-bit, input dependent
- SDI: 8ch 24-bit, input dependent
- Headphone out: 3.5mm 2ch.
Timecode/SYNC
- Embedded: HDMI and SDI
Supported Codecs & Frame Rates (Record & Playback)
- Supported Resolution & FPS (Monitor Only):
4K DCI: HDMI: 23.98p, 24p, 25p, 29.97p, 50p,
59.94p
4K UHD: HDMI: 23.98p, 24p, 25p, 29.97p, 50p,
59.94p
2K DCI 2046 x 1080: SDI: 23.98p, 24p, 25p,
29.97p, 50p, 59.94p
FHD 1920 x 1080 Progressive: HDMI and SDI :
23.98/24/25/29.9/30/50/59.94/60p
FHD 1920 x 1080 Interlaced: 50/
Supported Media
- SD: SD Card slot for LUTs / Firmware
- File System: ExFAT
On Screen Tools
- MultiScope Analysis: View Image, selectable Waveform, Histogram, Vector
- Scopes and Audio bars
- Waveform: Yes, 3 size / Position
- Histogram: Luma and RGB
- RGB Parade: Yes, 3 size / Position
- Vector Scope: Yes, 2 size / Position and zoom
- Magnification:
- 1 x Zoom
- 2 x Zoom
- 4x Zoom
- Focus Peaking: Color selected / focus assist sharpening /
- threshold setting / color / Mono / edges only
- False Color: Yes
- Zebra: Yes, adjustable
- Isolate Color Channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe Areas Action and Graphic
- Grid Markers: 9 Grid
- Anamorphic Desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical and Horizontal selfie mode
Onboard Processing
- 4K UHD Downscale for HD: Yes
- DCI Crop: Yes
External Device Control
- Serial 2.5mm Jack: USB-C to Serial (ATOMCAB018)
- USB: Camera control for supported cameras in future firmware release
- RJ45: Camera control for supported cameras in future firmware release
Warranty
- Standard: 1 year. Extended to 3 years on product registration
The new SHINOBI 7 takes the foundations of the original SHINOBI to the next level by offering a bigger, brighter screen and combined HDMI and SDI i/o. With a peak brightness of 2200nits, SHINOBI 7 provides accurate conversion of Log inputs for HDR monitoring, and can be used in the brightest of environments.
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